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Illustrated by the celebrated caricaturist Albert Guillaume, this original lithograph bursts with charm, fashion, and theatrical flair.\u003c\/p\u003e\n\u003cp data-start=\"595\" data-end=\"969\" class=\"\"\u003eThe central composition is a towering bottle of Vichy-Cusset mineral water, flanked by a flirtatious turn-of-the-century couple—the lady in a feathered hat and elegant dress, and the gentleman tipping his boater hat with cane in hand. Guillaume's characteristic wit and elegance make the composition feel almost like a stage set—playful, urbane, and refreshingly Parisian.\u003c\/p\u003e\n\u003cp data-start=\"971\" data-end=\"1181\" class=\"\"\u003ePromoting the natural medicinal benefits of the Source Andréau, the text touts its endorsement by the Académie de Médecine de Paris, and its wide availability \"en vente partout\" (for sale everywhere\u003c\/p\u003e\n\u003cp\u003eGastronomy - Advertising - Art Nouveau\u003c\/p\u003e\n\u003cp\u003eGold medal at the Tunis and Paris exhibition 1893 - Auvergne - Rhône Alpes\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Camis in Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, creases\u003c\/p\u003e","brand":"Guillaume Albert","offers":[{"title":"60 x 40 \/ A-","offer_id":51403186012487,"sku":null,"price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04001Insta2.jpg?v=1744727845"},{"product_id":"ap_04002","title":"A la bodinière 1896","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eExhibition - Art Nouveau - France\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by P. 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Designed by Henri Rivière—renowned for his silhouette artistry—and featuring music and poetry by Georges Fragerolle, the poster is both an artwork and a historical document of the avant-garde spirit of Montmartre at the end of the 19th century.\u003c\/p\u003e\n\u003cp data-start=\"576\" data-end=\"1045\"\u003eThe stark black silhouette of travelers and shepherds under the night sky evokes the nativity story through ten poetic tableaux, blending religious imagery with the dreamlike visual style that made Chat Noir productions so iconic. Rivière’s mastery of shadow play is clearly echoed in the design: the silhouettes march in harmony with the bold typography, giving a sense of movement and solemnity, while the densely printed text conveys the rich program of the evening.\u003c\/p\u003e\n\u003cp data-start=\"1047\" data-end=\"1490\"\u003eFrom biblical scenes such as \u003cem data-start=\"1076\" data-end=\"1087\"\u003eLa Crèche\u003c\/em\u003e and \u003cem data-start=\"1092\" data-end=\"1105\"\u003eLe Golgotha\u003c\/em\u003e, to symbolic sequences like \u003cem data-start=\"1134\" data-end=\"1146\"\u003eLes Femmes\u003c\/em\u003e, \u003cem data-start=\"1148\" data-end=\"1161\"\u003eLes Soldats\u003c\/em\u003e, and \u003cem data-start=\"1167\" data-end=\"1183\"\u003eLes Rois Mages\u003c\/em\u003e, the play was structured like a spiritual odyssey, using projection, music, and verse to immerse the audience in a timeless journey. The poster also notes the humorous interludes and chansons that followed, offering a full spectrum of performance that was typical of the Chat Noir’s innovative programming.\u003c\/p\u003e\n\u003cp data-start=\"1492\" data-end=\"1802\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA unique piece of Parisian cultural history, this poster is a testament to the Théâtre du Chat Noir’s pioneering fusion of visual art, music, and performance poetry. It exemplifies the fin-de-siècle fascination with mysticism, symbolism, and theatrical experimentation—an era when even the posters were poetic.\u003c\/p\u003e\n\u003cp\u003eCabaret - Paris\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Rivière Henri","offers":[{"title":"58 x 41 \/ A  \/ On Linen","offer_id":42608195535033,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00774Insta2.jpg?v=1758032809"},{"product_id":"ap_00809","title":"La france recevant les peuples a l'exposition universelle de Paris 1889","description":"\u003cp data-start=\"274\" data-end=\"515\"\u003eThis powerful and allegorical original 1889 poster by E. Conrad was created for the celebrated Exposition Universelle de Paris, marking a high point in 19th-century France’s embrace of globalism, diplomacy, and artistic grandeur.\u003c\/p\u003e\n\u003cp data-start=\"517\" data-end=\"940\"\u003eAt the center of the composition stands a personification of France, rendered in classical robes, hand outstretched in a welcoming gesture to representatives from around the globe — a richly dressed procession that includes figures symbolizing various cultures, ethnicities, and nations. Their vibrant costumes underscore the spirit of international cooperation and cultural exchange that defined the 1889 World’s Fair.\u003c\/p\u003e\n\u003cp data-start=\"942\" data-end=\"1314\"\u003eIn the background looms the newly unveiled Eiffel Tower, a feat of engineering that came to symbolize not only the Exposition but also the innovative spirit of modern France. Surrounding it, the meticulously illustrated grounds of the exposition stretch out with monumental pavilions, domes, and gardens, placing the viewer directly in the grandeur of the fair itself.\u003c\/p\u003e\n\u003cp data-start=\"1316\" data-end=\"1515\"\u003eThe poster celebrates France’s position as a cultural and political host to the world, portraying the nation as dignified, enlightened, and generous — a beacon to “les peuples” of all continents.\u003c\/p\u003e\n\u003cp data-start=\"1517\" data-end=\"1869\"\u003eBoth visually compelling and ideologically rich, this lithograph is a quintessential example of Belle Époque visual culture, embodying the optimism and pageantry of one of the most iconic World’s Fairs in history. It’s a rare and significant artifact for collectors of historical ephemera, 19th-century art, or World’s Fair memorabilia.\u003c\/p\u003e\n\u003cp\u003eExhibition - Paris - Eiffel Tower\u003c\/p\u003e\n\u003cp\u003eGood condition, two tears on the edges\u003c\/p\u003e","brand":"Conrad E.","offers":[{"title":"57 x 69 \/ A-","offer_id":42608197566649,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00809Insta2.jpg?v=1756314737"},{"product_id":"ap_00937","title":"Le grand jeu du pigeon voyageur Circa 1890","description":"\u003cp\u003e\"Le Grand Jeu du Pigeon Voyageur,\" circa 1890, is a captivating example of late 19th-century French board games, reflecting both the era's fascination with pigeons and the popularity of the \"jeu de l'oie\" (goose game) format.\u003c\/p\u003e\n\u003cp\u003eDuring the late 19th century, the \"jeu de l'oie\" was a widely enjoyed board game in France, known for its simple rules and spiral track leading players to the end goal. \"Le Grand Jeu du Pigeon Voyageur\" is a thematic variation of this game, inspired by the significance of carrier pigeons, especially highlighted during the Franco-Prussian War (1870-1871), where pigeons were vital for communication.\u003c\/p\u003e\n\u003cp\u003eThe game board measures approximately 62 x 79 cm and is mounted on linen, a common preservation method for posters and prints of that era. The design features a spiral track adorned with illustrations related to carrier pigeons, each space likely depicting different aspects of pigeon training, flight, or messaging. The artwork is characteristic of the period's lithographic techniques, with detailed line work and a muted color palette. Despite its age, the piece is in good condition, showing only traces of folds and minor tears, indicating it was both used and cherished.\u003c\/p\u003e\n\u003cp\u003eThis game not only provided entertainment but also served an educational purpose, familiarizing players with the role of carrier pigeons in communication. It reflects the societal appreciation for these birds and their contributions, especially during times when other communication means were unreliable.\u003c\/p\u003e\n\u003cp\u003eOriginal board games like \"Le Grand Jeu du Pigeon Voyageur\" are highly sought after by collectors of vintage games and ephemera. Its historical significance, combined with the intricate artwork and well-preserved condition, makes it a valuable addition to any collection. \u003c\/p\u003e\n\u003cp\u003e\"Le Grand Jeu du Pigeon Voyageur\" offers a fascinating glimpse into the recreational and cultural life of late 19th-century France. It stands as a testament to the era's ingenuity in game design and the esteemed place of carrier pigeons in history.\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eMap - Games\u003c\/p\u003e\n\u003cp\u003eGoose Game\u003c\/p\u003e\n\u003cp\u003eGood condition, traces of folds, tears\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"62 x 79 \/ A-  \/ On Linen","offer_id":50745348456775,"sku":null,"price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00937Insta2.jpg?v=1736446172"},{"product_id":"ap_01809","title":"St Pol de Leon - Ile de Jersey Circa 1900","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eCharles Henri Toussaint known as Henri Toussaint 🇫🇷 (1849-1911), is a French painter, illustrator and engraver.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHe is the father of the painter and illustrator Maurice Toussaint (1882-1974).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSaint-Pol-de-Léon is a French commune in the Finistère department, in the Brittany region.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSmall city of character and seaside resort on the edge of the English Channel, Saint-Pol-de-Léon is a former episcopal city, historical capital of the bishopric of Léon\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRailway - Tourism - Religion - France - Normandy - Brittany\u003c\/p\u003e\n\u003cp\u003eWestern railways\u003c\/p\u003e\n\u003cp\u003ePrinted by F. Champenois in Paris\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-formula='=GOOGLETRANSLATE(R[0]C[-26];\"fr\";\"en\")' data-sheets-userformat='{\"2\":4226,\"4\":{\"1\":2,\"2\":13228792},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Good condition, folds, small tears\"}'\u003eGood condition, folds, small tears\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Toussaint Henri","offers":[{"title":"105 x 73 \/ A-  \/ On Linen","offer_id":42160796369081,"sku":null,"price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_01809Insta2.jpg?v=1676567259"},{"product_id":"ap_00524","title":"The Minster biggest magazine in the world Circa 1900","description":"\u003cp\u003eMax Cowper 🏴󠁧󠁢󠁳󠁣󠁴󠁿(1860-1911) was a Dundee born painter. He was employed as an illustrator for the Dundee Courier before moving to London around 1901 to join the staff of the Illustrated London News. It represents a project of a London religious magazine whose front page is drawn by Max Cowper.\u003cbr\u003eHe was notably known for his illustrations of Sherlock Holmes.\u003c\/p\u003e\n\u003cp\u003ePress - United Kingdom - United Kingdom\u003c\/p\u003e\n\u003cp\u003eAmberlei House in London\u003c\/p\u003e\n\u003cp\u003eGood condition, tears on the edges\u003c\/p\u003e","brand":"Cowper Max","offers":[{"title":"76 x 51 \/ A-  \/ On Linen","offer_id":46506846945607,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_00524Insta2.jpg?v=1681999543"},{"product_id":"ap_00797","title":"Pastilles Géraudel 1891","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSublime poster of the period realized in 1891 by Jules Chéret 🇫🇷 (1836-1932) to promote the pastilles for the throat of the brand Géraudel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJules Chéret, to whom the title of \"father of the poster\" is attributed, created and printed more than 1000 posters. He was considered one of the first professionals of poster advertising.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHis masterpieces are exhibited in many museums around the world and are highly prized by collectors.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMedical - Women\u003c\/p\u003e\n\u003cp\u003eSupplement to the French mail number\u003c\/p\u003e\n\u003cp\u003eChaix - Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, creases, one tear in the fold\u003c\/p\u003e","brand":"Chéret Jules","offers":[{"title":"55 x 39 \/ A-","offer_id":46506849665351,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00797insta2.jpg?v=1683722622"},{"product_id":"ap_00521","title":"En Reconnaissance le Dirigeable et l'Automitrailleuse Circa 1910","description":"\u003cp\u003eThe circa 1910 original poster by Ernest Montaut titled \u003cem\u003eEn reconnaissance le dirigeable et l'automitrailleuse\u003c\/em\u003e is a remarkable example of early 20th-century advertising art, showcasing the exciting advancements in aviation and automotive technology during that period. Montaut, a celebrated French illustrator, was well-known for his depictions of speed, modernity, and mechanized progress, making him a fitting artist to capture the innovative spirit of the time.\u003c\/p\u003e\n\u003cp\u003eThis poster was created during a time when brands like Bayard-Clément were eager to promote their products as part of this new era of mobility. By depicting both a dirigible and an armored car, Montaut effectively communicates the breadth of the company's technological capabilities, appealing to an audience fascinated by the possibilities of the future.\u003c\/p\u003e\n\u003cp\u003eIn the early 20th century, aviation and automobiles were at the forefront of technological innovation. The dirigible, in particular, was seen as a cutting-edge development in air travel, capable of covering long distances and offering a new perspective on the world from above. Meanwhile, the automobile was rapidly becoming a symbol of freedom and modernity, transforming how people traveled and interacted with their environment.\u003c\/p\u003e\n\u003cp\u003eIt’s also important to note that the \u003cem\u003eautomitrailleuse\u003c\/em\u003e, or armored car, was not just a commercial vehicle but also a military one. This adds another layer of meaning to the poster, as it subtly suggests that these innovations in transportation could be used not only for peaceful exploration but also for defense and protection, reflecting the dual nature of technology in both civilian and military contexts.\u003c\/p\u003e\n\u003cp\u003eErnest Montaut's work is highly regarded for its contributions to the visual culture of speed and modernity. His posters, like \u003cem\u003eEn reconnaissance le dirigeable et l'automitrailleuse\u003c\/em\u003e, capture the spirit of an age when technology was rapidly transforming everyday life. Montaut had a particular talent for imbuing his mechanical subjects with a sense of elegance and movement, making them appear not just as machines but as living, breathing parts of the modern world.\u003c\/p\u003e\n\u003cp\u003eThis poster serves as a visual celebration of technological progress. It embodies the optimism and excitement of the early 20th century, a time when new inventions were continually reshaping society and expanding the boundaries of what was possible.\u003c\/p\u003e\n\u003cp\u003eFor collectors and enthusiasts of early 20th-century posters, Montaut’s work is highly prized, not only for its historical significance but also for its artistic merit. His ability to capture the essence of speed and modernity, while also creating visually captivating compositions, makes his posters timeless pieces of art.\u003c\/p\u003e\n\u003cp\u003eThe circa 1910 original poster \u003cem\u003eEn reconnaissance le dirigeable et l'automitrailleuse\u003c\/em\u003e by Ernest Montaut is a stunning example of early advertising art that celebrates the technological advancements of its time. Montaut creates a scene that encapsulates the excitement and promise of the modern age. This poster, like much of Montaut’s work, remains a valuable piece of history, offering insight into the early days of aviation and automotive innovation while also standing as a work of art in its own right.\u003c\/p\u003e\n\u003cp\u003eAviation - War 14-18\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA peaceful outing serves as the perfect landscape for Montaut to promote Bayard-Clément’s dirigible and automobile offerings. For a contrasting image featuring these two modes of transit, see Montaut’s Bayard\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Montaut Ernest","offers":[{"title":"82 x 45 \/ A","offer_id":41595032862905,"sku":null,"price":1500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00521Insta2.jpg?v=1725883291"},{"product_id":"ap_00549","title":"Montgolfière Française Circa 1900","description":"\u003cp\u003eThe circa 1900 poster for \u003cem\u003eMontgolfière Française\u003c\/em\u003e, produced by the Parisian printing house Clamaron-Graff at 57 Rue de Vaugirard, is a striking example of early aviation art that captures the wonder and excitement surrounding hot air ballooning in the late 19th and early 20th centuries. This poster, promoting a French hot air balloon, depicts the grandeur of flight at a time when aviation was still in its infancy, evoking both a sense of adventure and national pride.\u003c\/p\u003e\n\u003cp\u003eAt the center of the composition is the grand montgolfière, or hot air balloon, rising gracefully into the sky. The balloon itself is large and imposing, depicted with a woven netting design that gives it a textured, three-dimensional appearance. The balloon is tinted in warm, earthy hues, contrasting with the cool blues and soft clouds of the background sky. This visual contrast serves to emphasize the balloon's towering presence and its ability to dominate the expansive heavens. The gentle shading and detailed lines reflect the craftsmanship of the era’s lithographic printing techniques, capturing the elegance and precision that defined the artwork of the Belle Époque.\u003c\/p\u003e\n\u003cp\u003eBeneath the massive balloon, the basket is suspended by ropes, carrying two daring aeronauts. One of the figures, dressed in a typical formal suit of the time, stands at the edge of the basket, raising his hat in a gesture that suggests triumph and pride. The second figure, sitting in the basket, is depicted as the pilot, calmly managing the controls of the balloon as it ascends. The characters' postures convey a sense of command over this novel form of transportation, presenting the adventure of ballooning as both a thrilling and respectable endeavor.\u003c\/p\u003e\n\u003cp\u003eOne of the most prominent elements of the poster is the presence of two French flags, one draped from the side of the balloon's basket and the other fluttering behind the balloon itself. These flags, rendered in vivid red, white, and blue, enhance the patriotic tone of the image, connecting the technological innovation of hot air ballooning with a sense of national pride. The inclusion of the French flags highlights the symbolic significance of the \u003cem\u003emontgolfière\u003c\/em\u003e as a distinctly French invention. Named after the Montgolfier brothers, who first successfully launched a hot air balloon in 1783, the balloon became an icon of French ingenuity and pioneering spirit in the realm of aviation.\u003c\/p\u003e\n\u003cp\u003eThe sky around the balloon is softly rendered in delicate pastel tones, suggesting a calm and serene environment high above the earth. The light clouds, barely noticeable, add to the dreamlike quality of the scene, enhancing the sense of weightlessness and freedom that comes with flight. The open expanse of sky also reflects the sense of limitless potential that hot air ballooning represented during this period—when the possibility of exploring the skies was becoming more tangible, though still a wonder for many spectators.\u003c\/p\u003e\n\u003cp\u003eThe bottom of the poster contains the imprint of the printer, \u003cem\u003eImp. Clamaron-Graff\u003c\/em\u003e, noting its location on Rue de Vaugirard, Paris. This detail is important, as it links the poster to the broader context of Parisian print culture during the Belle Époque, a time when posters and advertisements were a significant part of the urban landscape. Posters like this one were not only promotional tools but also works of art, often displayed on the streets of Paris and other cities to capture the public’s attention.\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eMontgolfière Française\u003c\/em\u003e poster is both a tribute to the pioneering spirit of aviation and a celebration of French contributions to the field. During the late 19th and early 20th centuries, hot air ballooning was one of the most exciting forms of exploration, allowing humans to soar above the earth in a way that had previously been unimaginable. This poster captures the optimism and sense of adventure that defined this era, positioning the hot air balloon as both a technological marvel and a symbol of human achievement.\u003c\/p\u003e\n\u003cp\u003eIn summary, the circa 1900 \u003cem\u003eMontgolfière Française\u003c\/em\u003e poster is a beautifully crafted visual representation of the awe and excitement surrounding early aviation. With its patriotic imagery, detailed design, and celebration of French innovation, it stands as a testament to the pioneering era of hot air ballooning. The combination of artistic beauty and historical significance makes this poster not only a piece of advertising but also a reflection of the spirit of discovery and adventure that characterized the turn of the century.\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eAviation\u003c\/p\u003e\n\u003cp\u003eClamaron Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, traces of folds\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"52 x 41 \/ A  \/ On Linen","offer_id":41595033059513,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00549Insta2.jpg?v=1729686901"},{"product_id":"ap_00652","title":"La Yetta Circa 1900","description":"\u003cp data-start=\"217\" data-end=\"608\"\u003eThis captivating Belle Époque poster by the artist \u003cstrong data-start=\"268\" data-end=\"281\"\u003eF. Garric\u003c\/strong\u003e presents an alluring image of the dancer \u003cstrong data-start=\"323\" data-end=\"335\"\u003eLa Yetta\u003c\/strong\u003e, captured mid-performance in an exotic and theatrical pose. Dressed in a richly adorned costume with flowing fabrics and golden jewelry, she dances before a monumental, shadowy idol — evoking the orientalist fantasies so prevalent in fin-de-siècle European visual culture.\u003c\/p\u003e\n\u003cp data-start=\"610\" data-end=\"965\"\u003eRendered in lush chromolithography, the composition blends realism and spectacle, emphasizing both the sensuality of the figure and the mystique of the setting. The vertical format of the poster, unusual in its height and elegance, draws the viewer’s eye upward, following the dancer’s arms as they rise toward the heavens — or toward theatrical applause.\u003c\/p\u003e\n\u003cp data-start=\"967\" data-end=\"1273\"\u003ePosters such as this one were designed to dazzle — not just as advertisements for performances, but as collectible artworks in their own right. \u003cstrong data-start=\"1111\" data-end=\"1123\"\u003eLa Yetta\u003c\/strong\u003e stands as a quintessential example of \u003cstrong data-start=\"1162\" data-end=\"1203\"\u003eturn-of-the-century French poster art\u003c\/strong\u003e, celebrating both \u003cstrong data-start=\"1222\" data-end=\"1244\"\u003etheatrical glamour\u003c\/strong\u003e and \u003cstrong data-start=\"1249\" data-end=\"1272\"\u003eartistic refinement\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1275\" data-end=\"1414\"\u003eA stunning piece for collectors of \u003cstrong data-start=\"1310\" data-end=\"1335\"\u003eBelle Époque graphics\u003c\/strong\u003e, \u003cstrong data-start=\"1337\" data-end=\"1359\"\u003eorientalist themes\u003c\/strong\u003e, or the history of \u003cstrong data-start=\"1379\" data-end=\"1413\"\u003eFrench performance and cabaret\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eShow - Dance - Cabaret\u003c\/p\u003e\n\u003cp\u003eTears, dirt\u003c\/p\u003e","brand":"Garric F.","offers":[{"title":"155 x 60 \/ B","offer_id":49225532735815,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00652Insta2.jpg?v=1756310575"},{"product_id":"ap_00820","title":"Salon Des Cent 1890","description":"\u003cp\u003e\u003cspan\u003eA beautiful vintage poster, made in 1890 by Richard Ranft 🇨🇭 (1862-1931) to promote the salon des cent.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe salon des cent was a French art exhibition show imagined by Léon Deschamps, launched in Paris in February 1894 in the hall of the magazine La Plume.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe idea was to exhibit and sell mainly prints and drawings, in association with a literary and artistic periodical. The last edition, the fifty-third, took place at the end of 1900.\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.deepl.com\/translator?utm_source=macos\u0026amp;utm_medium=app\u0026amp;utm_campaign=macos-share\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eExhibition - Post Impressionism\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Ranft Richard","offers":[{"title":"59 x 39 \/ A  \/ On Linen","offer_id":41597219242169,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_00820insta2.jpg?v=1654764058"},{"product_id":"ap_00975","title":"Mounted Brigands Destroy Manchurian Railway Circa 1910","description":"\u003cp\u003eThe Russo-Japanese War was fought between the Empire of Japan and the Russian Empire during 1904 and 1905 over rival imperial ambitions in Manchuria and the Korean Empire. The major theatres of military operations were located in Liaodong Peninsula and Mukden in Southern Manchuria, and the Yellow Sea and the Sea of Japan.\u003c\/p\u003e\n\u003cp\u003eWar - Japan - Russia\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"45 x 62 \/ A  \/ On Linen","offer_id":41597219635385,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_00975.jpg?v=1653825060"},{"product_id":"ap_00976","title":"Our torpedoes attack Russian fleet at Port Arthur Circa 1910","description":"\u003cp\u003eThe Russo-Japanese War (1904–1905) marked a pivotal moment in naval warfare, and this circa 1900 original print vividly captures the intensity of battle. Titled \"Our Torpedoes Attack Russian Fleet at Port Arthur,\" this striking composition depicts a Japanese nighttime torpedo assault on the Russian fleet stationed at Port Arthur (modern-day Lüshunkou, China)—one of the most significant conflicts of the war.\u003c\/p\u003e\n\u003cp\u003eThis print reflects the Japanese naval strategy, which relied on surprise attacks and technological advancements to cripple the Russian fleet. The scene is filled with drama and movement, as Japanese torpedo boats, under the cover of darkness, launch an offensive against the larger, heavily armed Russian warships. The beams of searchlights cutting through the night sky add to the tension, illuminating the clash between the two forces.\u003c\/p\u003e\n\u003cp\u003eAt the outbreak of war in February 1904, Japan launched a preemptive strike on Port Arthur, severely damaging Russian warships and setting the tone for future engagements. This battle signaled the emergence of Japan as a dominant naval power, ultimately leading to its victory over the Russian Empire—a momentous event that shifted global perceptions of military strength in the early 20th century.\u003c\/p\u003e\n\u003cp\u003eThis historical print serves as both wartime propaganda and documentary illustration, commemorating Japan’s strategic prowess and the turning point in modern naval combat. Today, it remains a compelling artifact of military history, offering insight into the visual culture of the Russo-Japanese War.\u003c\/p\u003e\n\u003cp\u003eWar - Japan - Russia\u003c\/p\u003e\n\u003cp\u003eNaval war\u003c\/p\u003e\n\u003cp\u003eGood condition\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"45 x 62 \/ A  \/ On Linen","offer_id":41597220061369,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00976Insta2.jpg?v=1738177775"},{"product_id":"ap_01008","title":"Programme du théatre de l'Oeuvre 1896","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThe program for the Théâtre de l'Œuvre, illustrated by Henri de Toulouse-Lautrec in 1896, is an artistic creation rich in meaning and symbolism, embodying the convergence of the avant-garde theater world and the artist's creative genius. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHenri de Toulouse-Lautrec, born in 1864, was a precursor of poster art and lithography. He was renowned for his ability to capture the essence of the society of his time and reflect it through his art. The program poster for the Théâtre de l'Œuvre bears witness to this ability, incorporating visual and symbolic elements that go beyond the limits of poster art.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe encyclopedic revue presented at the theater, featuring Oscar Wilde's \"Salome\" and Romain Coulus' \"Raphael\", was a bold exploration of the art and culture of the time. The poster subtly captures the social and cultural tensions and questionings of the period. Toulouse-Lautrec's position between Oscar Wilde and Félix Fénéon, the two \"imprisoned\", symbolizes the convergence of their fates and the issues of the time. Wilde, broken by his incarceration, and Fénéon, an ostensible observer, are linked by Lautrec, creating a network of meanings that transcends mere visual representation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Théâtre de l'Œuvre program illustrated by Toulouse-Lautrec in 1896 is a poignant reminder of the role of art in society and its ability to reflect the social and cultural issues of the day. It transcends the boundaries of poster art to become a complex expression of history, art and society.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTheater - Literature - Show\u003c\/p\u003e\n\u003cp\u003eThe encyclopedic magazine Oscar Wilde Salome and Romain Coulus Raphael - Wilde will be released from prison, broken, May 18, 1897.\u003c\/p\u003e\n\u003cp\u003eOn the panel, Feneon look at him ostensibly. And the position of Lautrec between these two imprisoned - one for homosexuality, the other for terrorism is obviously a sign.\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Toulouse-Lautrec Henri","offers":[{"title":"33 x 50 \/ A","offer_id":41597220192441,"sku":null,"price":3300.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_01008Insta2.jpg?v=1692354703"},{"product_id":"ap_01035","title":"My Girl Circa 1900","description":"\u003cp\u003eThis circa 1900 original theatre poster, published by David Allen \u0026amp; Sons, is a striking example of Edwardian-era theatrical advertising, capturing the vibrancy and excitement of the stage during the late 19th and early 20th centuries. Featuring bold typography, rich color contrasts, and lively imagery, the poster promotes the theatrical production \u003cem\u003eMy Girl – Your Girl, Our Girl, Everybody’s Girl\u003c\/em\u003e, a title that suggests a lighthearted, comedic, or romantic theme that would have appealed to a broad audience.\u003c\/p\u003e\n\u003cp\u003eDuring this period, theatre posters played a crucial role in drawing crowds, often using catchy phrases, engaging visuals, and dynamic layouts to compete for attention in bustling city streets. The production’s title, repeated in various forms, implies a play centered on a charismatic female lead, possibly a story filled with romance, mistaken identities, or social intrigue—all popular themes in Edwardian entertainment.\u003c\/p\u003e\n\u003cp\u003ePublished by David Allen \u0026amp; Sons, one of the most prolific printing firms of the time, this poster reflects the high standards of lithographic printing that characterized theatre advertising in the early 20th century. The company was renowned for its eye-catching, colorful designs, which were used for theatre productions, travel advertisements, and commercial promotions across Britain and beyond.\u003c\/p\u003e\n\u003cp\u003eAs an original piece of theatrical history, this poster is not just a promotional item but a window into the entertainment culture of the Edwardian era, where theatre was a dominant form of popular entertainment. Today, it remains highly collectible among enthusiasts of vintage theatre memorabilia, lithographic posters, and Edwardian graphic design, offering a glimpse into the artistic and commercial styles of the time.\u003c\/p\u003e\n\u003cp\u003eWoman - Theater - Show\u003c\/p\u003e\n\u003cp\u003eYour Girl, Everybody's Girl\u003c\/p\u003e\n\u003cp\u003eDavid Allen \u0026amp; Sons London - Belfast - Manchester - Newyork\u003c\/p\u003e\n\u003cp\u003eGood condition, soiling, pinholes\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"77 x 52 \/ A  \/ On Linen","offer_id":41595037778105,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_01035_bcbafec0-c9e1-4542-97e9-6d8f950c1a0d.jpg?v=1737819713"},{"product_id":"ap_01292","title":"La nouvelle chasse à courre Circa 1900","description":"\u003cp\u003eIn the golden age of Belle Époque Paris, the world of art and satire converged with a vibrant energy, encapsulating the spirit of the era. Among the luminaries who illuminated this period was Albert Guillaume, whose keen wit and artistic prowess made him a celebrated figure in the realms of illustration and poster art.\u003c\/p\u003e\n\u003cp\u003eOne of Guillaume's notable works from this period is the captivating poster titled \"La nouvelle chasse à courre,\" which graced the pages of \"L'Assiette au Beurre\" as a supplement. This satirical magazine, renowned for its bold commentary on social and political issues, provided Guillaume with a platform to showcase his unique blend of humor and artistic skill.\u003c\/p\u003e\n\u003cp\u003eGuillaume's mastery lies not only in his artistic technique but also in his ability to convey social commentary through visual storytelling. Each figure in the poster plays a role in the narrative, whether it's the bemused Marquis orchestrating the hunt, the eager huntsmen following his lead, or the bemused onlookers who witness the spectacle.\u003c\/p\u003e\n\u003cp\u003eAlbert Guillaume's legacy endures through posters like \"La nouvelle chasse à courre,\" reminding us of the enduring power of art to provoke thought and spark conversation. As we revisit this masterpiece, we not only admire its aesthetic brilliance but also appreciate its timeless relevance in our evolving understanding of art and society.\u003c\/p\u003e\n\u003cp\u003eIn the annals of Belle Époque artistry, Albert Guillaume stands tall as a visionary whose work continues to captivate and inspire—a testament to the enduring allure of satire and the enduring power of art to transcend time.\u003c\/p\u003e\n\u003cp\u003eAviation - Airship\u003c\/p\u003e\n\u003cp\u003eSupplement of the butter plate - Crew of the Marquis de l'Aigle\u003c\/p\u003e\n\u003cp\u003eVery good state\u003c\/p\u003e","brand":"Guillaume Albert","offers":[{"title":"31 x 46 \/ A+  \/ On Linen","offer_id":41597220978873,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_01292Insta2.jpg?v=1719581419"},{"product_id":"ap_01705","title":"Marius Raguet fabricant Circa 1880","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eAdvertising - Mobilier - Haute-Marne\u003c\/p\u003e\n\u003cp\u003eFrench Manufacture of Furniture In Filled Rattan Broker - Fayl - Billot (Haute-Marne) Specialties for Hotels and Casinos\u003c\/p\u003e\n\u003cp\u003eBauer Marchet \u0026amp; Cie  Dijon\u003c\/p\u003e\n\u003cp\u003eGood condition, folds, small gaps in the folds\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"76 x 56 \/ A-","offer_id":42979044556985,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_01705_ac807c33-22c3-4966-8172-5f44537f0d17.jpg?v=1737904404"},{"product_id":"ap_01827","title":"Moteur Cérès Circa 1900","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eAgriculture - Industry - Advertising\u003c\/p\u003e\n\u003cp\u003eWheat - J of Bucy Builder Bar sur Aube\u003c\/p\u003e\n\u003cp\u003eLa Lithographie Parisienne Paris\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Tamagno","offers":[{"title":"69 x 50 \/ A","offer_id":41595040923833,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_01827.jpg?v=1664885970"},{"product_id":"ap_01995","title":"Exposition Internationale Timbres-Poste 1892","description":"\u003cp\u003eThe 1892 Exposition Internationale Timbres-Poste poster, an enduring masterpiece, encapsulates the elegance and artistic sensibilities of its time. Created in an era marked by innovation and global exchange, this poster remains a symbol of the enduring allure of postage stamps.\u003c\/p\u003e\n\u003cp\u003eThe artist behind this captivating work remains anonymous, but their contribution to the world of art and philately is undeniable. The poster beautifully portrays the theme of international postage stamps, showcasing a rich tapestry of cultures and nations.\u003c\/p\u003e\n\u003cp\u003eIntricately detailed and filled with symbolism, the poster features a central female figure symbolizing the global reach of postal communication. She stands amidst an array of stamps, each representing a different country. This visual mosaic underscores the universal language of postage stamps, transcending borders and languages.\u003c\/p\u003e\n\u003cp\u003eWhat sets this poster apart is its historical significance. In 1892, the world was in the midst of transformative changes, including innovations in communication and transportation. The poster reflects the excitement and optimism of an era marked by global connectivity.\u003c\/p\u003e\n\u003cp\u003eThe Exposition Internationale Timbres-Poste served as a platform to celebrate the artistry and cultural diversity of postage stamps. It was a testament to the significance of these small but impactful pieces of paper in connecting people and nations.\u003c\/p\u003e\n\u003cp\u003eToday, the 1892 Exposition Internationale Timbres-Poste poster stands as a cherished piece of art and philatelic history. It reminds us of a time when postage stamps were not just utilitarian but also works of art that bridged continents.\u003c\/p\u003e\n\u003cp\u003ePhilately - Exhibition\u003c\/p\u003e\n\u003cp\u003ePalais des arts libéraux champ de Mars près de la tour Eiffel\u003c\/p\u003e\n\u003cp\u003eGood condition, folds\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"55 x 40 \/ A  \/ On Linen","offer_id":41595042234553,"sku":null,"price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_01995Insta2.jpg?v=1693909409"},{"product_id":"ap_02012","title":"Bergers dans la montagne Circa 1920","description":"\u003cp\u003eThe circa 1920 color print \"Bergers dans la Montagne\" by the renowned French artist Henri Rivière exemplifies the artist's mastery in capturing the natural world and rural life through vivid and detailed imagery. Henri Rivière, known for his work as both an illustrator and printmaker, became celebrated for his striking representations of landscapes, particularly those that blended the serenity of nature with the charm of French pastoral scenes.\u003c\/p\u003e\n\u003cp\u003eThis color print, likely produced as part of a series or a standalone piece, focuses on the timeless image of shepherds in the mountains. The theme of pastoral life was a recurring one in Rivière's oeuvre, and it resonated deeply with audiences during the early 20th century. At this time, there was a renewed appreciation for rural life, particularly in contrast to the rapid industrialization and urbanization that were taking place across Europe.\u003c\/p\u003e\n\u003cp\u003eIn \"Bergers dans la Montagne\", Rivière's use of color and composition stands out. The warm, earthy tones of the landscape are juxtaposed with the soft yet vibrant colors of the shepherds’ clothing and the animals they tend. The scene likely evokes a sense of peace, quietude, and connection to the land, which were qualities that many people of that era sought to preserve or romanticize. This thematic focus on the rural idyll was not only appealing to the growing middle class but also aligned with broader artistic movements of the time, including the Arts and Crafts Movement, which celebrated simplicity and the beauty of nature.\u003c\/p\u003e\n\u003cp\u003eThe color print technique used by Rivière was part of a tradition that aimed to capture fine details and create a sense of depth in landscapes. During the 1920s, printmaking was an established medium for artists to express their vision to a wide audience. Rivière, with his sensitivity to tone and texture, was able to create an immersive environment that brought the viewer closer to the shepherds' world, evoking not just the visual, but the peaceful mood of mountain life.\u003c\/p\u003e\n\u003cp\u003eRivière's prints, including this one, were often used for both artistic and commercial purposes. They could be found in exhibitions or published in books, and many were intended for wide distribution, reaching the hands of collectors and art enthusiasts alike. These works were particularly popular among those who appreciated the connection between nature, heritage, and the French countryside.\u003c\/p\u003e\n\u003cp\u003e\"Bergers dans la Montagne\" is not merely a snapshot of rural life but also a reflection of the broader cultural fascination with the past and nature in the early 20th century. 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Known for his work as both an illustrator and printmaker, Henri Rivière gained fame for his ability to evoke the essence of natural and often remote environments, blending both artistic beauty and the serenity of rural life.\u003c\/p\u003e\n\u003cp\u003eIn \"Bergers dans le Désert,\" Rivière presents a captivating scene of shepherds in a desert landscape. The work captures the vastness and isolation of the desert, highlighting the shepherds' symbiotic relationship with the harsh environment in which they live. While the desert setting might seem far removed from Rivière's more familiar pastoral scenes of French rural life, it demonstrates the artist's versatility and his broader interest in capturing a range of natural settings.\u003c\/p\u003e\n\u003cp\u003eRivière’s use of color and composition in this print is notable. The warm, golden tones of the desert sands contrast with the soft, earthy hues of the shepherds’ clothing and the animals they tend. The figures, though small in comparison to the expansive desert, are depicted with careful attention to detail, and their presence in the vast, arid landscape brings a sense of scale and proportion to the print. Rivière’s characteristic style — blending delicate, yet bold, lines with vibrant color — captures not only the visual characteristics of the desert but also its mood and atmosphere. The choice of color and form effectively conveys the harshness of the environment, while simultaneously offering a sense of resilience and peace in the face of the desert’s challenges.\u003c\/p\u003e\n\u003cp\u003eThis print was created during a period when orientalism and the fascination with far-off lands were significant in both art and popular culture. The early 20th century saw many European artists turning their attention to exotic locales, and the desert was a theme that sparked both mystery and intrigue. The image of the shepherds wandering through the barren landscape is not only a depiction of daily life but also an exploration of the relationship between humanity and nature in some of the world’s most unforgiving environments.\u003c\/p\u003e\n\u003cp\u003eHenri Rivière’s work, including \"Bergers dans le Désert,\" was appreciated for its technical skill and its evocative portrayal of the natural world. Prints like this were often intended for wide distribution, reaching the hands of art collectors, enthusiasts, and those who sought to bring the beauty of the natural world into their homes. Rivière’s mastery in color printmaking was key to the appeal of his work, as he was able to imbue each print with a vividness and depth that brought the landscapes to life.\u003c\/p\u003e\n\u003cp\u003eWhile \"Bergers dans le Désert\" features an exotic locale, the themes of solitude, perseverance, and harmony with nature transcend geographical boundaries. It reflects Rivière’s ongoing interest in capturing the essence of life in the most remote and beautiful corners of the world, from the French countryside to the deserts of distant lands. This print, like many of Rivière’s works, resonates with audiences even today, reminding us of the delicate balance between human life and the natural environments in which we live.\u003c\/p\u003e\n\u003cp\u003eThrough works like \"Bergers dans le Désert,\" Henri Rivière continued to make a lasting contribution to the tradition of color printmaking while offering a glimpse into the landscapes and lives that so fascinated him. 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A grand milestone for Charles Gounod’s beloved opera, this artwork embodies the romanticism, elegance, and theatrical grandeur of the late 19th century.\u003c\/p\u003e\n\u003cp data-start=\"461\" data-end=\"811\"\u003eThe composition is likely rich in ornate typography, intricate illustrations, and soft, flowing lines, characteristic of the Art Nouveau movement, which flourished during this era. The use of pastel tones, gold accents, and decorative elements would enhance the sense of drama and romance fitting for Shakespeare’s immortal tragedy.\u003c\/p\u003e\n\u003cp data-start=\"1144\" data-end=\"1487\"\u003eBy 1898, \u003cem data-start=\"1153\" data-end=\"1172\"\u003eRoméo et Juliette\u003c\/em\u003e had firmly established itself as a cornerstone of French opera, with Gounod’s lush melodies and poignant duets capturing the hearts of audiences worldwide. This poster not only commemorates a theatrical triumph but also serves as a testament to the cultural and artistic vibrancy of the Belle Époque.\u003c\/p\u003e\n\u003cp data-start=\"1489\" data-end=\"1652\"\u003eHighly collectible, this piece is a stunning relic of operatic history, perfect for enthusiasts of vintage posters, French opera, and Art Nouveau design.\u003c\/p\u003e\n\u003cp\u003eShow - Music\u003c\/p\u003e\n\u003cp\u003e500th representation of Romeo and Juliet\u003c\/p\u003e\n\u003cp\u003eGood condition, slight dirt\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"60 x 40 \/ A","offer_id":42979103572153,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_03026Insta2.jpg?v=1740674955"},{"product_id":"ap_03146","title":"Cook's Conducted Tours 1902","description":"\u003cp data-end=\"438\" data-start=\"215\"\u003eThis elegant and highly collectible 1902 original poster advertises Cook’s Conducted Tours, the pioneering package travel service established by Thomas Cook \u0026amp; Son, the company that revolutionized modern tourism.\u003c\/p\u003e\n\u003cp data-end=\"898\" data-start=\"440\"\u003eRendered in beautifully soft colors and graceful silhouettes, the scene captures a moment of genteel Edwardian travel. A trio of fashionably dressed travelers—two women in flowing dresses and a gentleman in a suit and boater hat—stand surveying an expansive and exotic horizon. The poster evokes a sense of refined adventure, with one of the women gesturing toward the sun-drenched landscape, symbolizing the allure of foreign lands and cultured exploration.\u003c\/p\u003e\n\u003cp data-end=\"1246\" data-start=\"900\"\u003eThe destinations listed read like a grand tour of the Belle Époque imagination:\u003cbr data-end=\"982\" data-start=\"979\"\u003eSouth of France, Italy, Sicily, Spain, Morocco, Palestine, Egypt, Tunis, Algeria.\u003cbr data-end=\"1070\" data-start=\"1067\"\u003eThese names conveyed mystery, romance, and prestige at the time—places that seemed far-flung but were suddenly accessible thanks to the innovation of conducted (guided) travel.\u003c\/p\u003e\n\u003cp data-end=\"1675\" data-start=\"1248\"\u003eThomas Cook’s travel empire began in the 1840s, organizing group tours in England and later expanding into continental Europe and beyond. By the early 20th century, Cook’s tours were synonymous with dependable, comfortable, and aspirational travel. The company handled itineraries, accommodations, and travel arrangements, making the world available to the middle and upper classes of Britain in a way it had never been before.\u003c\/p\u003e\n\u003cp data-end=\"2042\" data-start=\"1677\"\u003eThis poster, printed by McCorquodale \u0026amp; Co. Ltd., is a beautiful example of early 20th-century advertising—combining practical information with visual poetry. The use of flowing garments, dynamic composition, and dramatic light brings the viewer into the moment, offering both a visual delight and a promise: the world is out there, and Thomas Cook can take you.\u003c\/p\u003e\n\u003cp data-end=\"2353\" data-start=\"2044\"\u003eToday, this poster is not only a tribute to the romantic era of luxury travel, but also a historical artifact of the rise of leisure tourism. It reminds us of a time when travel was a cultural rite of passage and of Thomas Cook's trailblazing role in making the globe navigable for the modern voyager.\u003c\/p\u003e\n\u003cp\u003eTourism - Mediterranean - Travel\u003c\/p\u003e\n\u003cp\u003eFrance - Italy - Sicily - Spain - Morocco - Palestine - Egypt - Tunis - Algeria\u003c\/p\u003e\n\u003cp\u003eTraces of folds, gaps\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"100 x 62 \/ c  \/ On Linen","offer_id":41597225599161,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_03146Insta2.jpg?v=1753809125"},{"product_id":"ap_03186","title":"Pauvre Pierrot 1885","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eLiterature - Show - Poetry\u003c\/p\u003e\n\u003cp\u003eOn sale at Vanier\u003c\/p\u003e\n\u003cp\u003eGood condition, traces of folds\u003c\/p\u003e","brand":"Willette Adolphe","offers":[{"title":"72 x 53 \/ A  \/ On Linen","offer_id":42979082862777,"sku":null,"price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_03186_0cf617b1-739e-46c3-b833-364a4bd29963.jpg?v=1740143946"},{"product_id":"ap_03203","title":"Images de Bob et de Gyp 1898","description":"\u003cp data-start=\"286\" data-end=\"805\"\u003eThis remarkable and richly illustrated 1898 lithographic poster announces the satirical exhibition \u003cem data-start=\"385\" data-end=\"410\"\u003eImages de Bob et de Gyp\u003c\/em\u003e, held at \u003cem data-start=\"420\" data-end=\"434\"\u003eLa Bodinière\u003c\/em\u003e (18, rue Saint-Lazare, Paris) from November 9 to 30. The exhibition was centered around the collaboration between the cartoonist Bob (Georges Ferdinand Bigot, known as \"Bob\") and the notorious aristocratic writer Gyp (pseudonym of Sibylle Riqueti de Mirabeau), a pair who used caricature and humor to target the political and social affairs of the French Third Republic.\u003c\/p\u003e\n\u003cp data-start=\"807\" data-end=\"1341\"\u003eDrawn in an exuberant Belle Époque style, the poster is a swirl of symbolism, caricature, and absurdist imagination. Floating heads of politicians emerge from stalks of red carnations, while flying figures, umbrellas, birds, and scrolls populate the scene in a surreal landscape. At the center, a Moses-like figure clutches a stone tablet inscribed with mocking verses, proclaiming absurd political revelations. The overall scene parodies the language and posturing of state power and religious authority, mocking both with sharp wit.\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1732\"\u003eThis poster is not merely promotional—it is itself an artwork of satire. The names mentioned and imagery used reflect the political scandals of the day, especially those surrounding military and religious figures during the tumultuous Dreyfus Affair. In the lower left corner, the lithograph is credited to \u003cem data-start=\"1650\" data-end=\"1681\"\u003eAffiches de l’Artisan Moderne\u003c\/em\u003e with artwork printed by André Marty and H. Fleury.\u003c\/p\u003e\n\u003cp data-start=\"1734\" data-end=\"2042\"\u003eVisually chaotic and layered with meaning, this poster exemplifies the radical humor of late 19th-century Paris, where political caricature was both a cultural phenomenon and a tool of resistance. It’s a rare and important witness to the rich interplay between art, politics, and satire at the fin-de-siècle.\u003c\/p\u003e\n\u003cp\u003eReligion - Caricature - Literature\u003c\/p\u003e\n\u003cp\u003eA la Bodinière\u003c\/p\u003e\n\u003cp\u003eBourgerie \u0026amp; Cie Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, traces of folds\u003c\/p\u003e","brand":"Bob","offers":[{"title":"85 x 65 \/ A  \/ On Linen","offer_id":41595050066105,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_03203Insta2.jpg?v=1757078959"},{"product_id":"ap_03241","title":"Atlantic September 1895","description":"\u003cp\u003eA magnificent 1895 poster by R.L Emerson 🇺🇸\u003cbr\u003eHe designed many of the covers for Atlantic, an American monthly cultural magazine founded in 1857 in Boston, Massachusetts.\u003c\/p\u003e\n\u003cp\u003eLiterature - Press - Mythology - Odyssey - Circé\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Emerson R. L.","offers":[{"title":"42 x 32 \/ A \/ On linnen","offer_id":46506859168071,"sku":null,"price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_03241insta2.jpg?v=1685628630"},{"product_id":"ap_03259","title":"Szisz sur voiture Renault Circa 1910 Grand Prix de l' A.C.F.","description":"\u003cp\u003eThe circa 1910 original poster by Ernest Montaut, titled \u003cem\u003eSzisz sur voiture Renault - Gagnant du grand prix de l'A.C.F.\u003c\/em\u003e, commemorates the victory of Hungarian-French driver Ferenc Szisz in the 1906 French Grand Prix. This race, organized by the Automobile Club de France (A.C.F.), was the first-ever Grand Prix in motor racing history and a pivotal event in the development of early automobile competitions.\u003c\/p\u003e\n\u003cp\u003eSzisz's triumph in a Renault car was a significant milestone for both the driver and the Renault company. The grueling two-day race covered over 1,200 kilometers on difficult roads, highlighting the endurance and reliability of the Renault vehicle, which withstood the challenging conditions to emerge victorious. This victory not only boosted Renault’s prestige in the rapidly growing automotive industry but also underscored the company's engineering excellence at a time when automobiles were still a relatively new technology.\u003c\/p\u003e\n\u003cp\u003eErnest Montaut, known for his depictions of early automobiles and aviation, was a prominent artist during this era. His work often focused on the technological advancements and the thrilling nature of motor racing, which captivated public imagination. Montaut’s posters celebrated these new forms of transportation and their impact on society, immortalizing key moments in the history of motorsport.\u003c\/p\u003e\n\u003cp\u003eThis piece by Montaut serves as a historical reminder of the early days of motor racing and the cultural significance of the automobile during the early 20th century. It reflects the spirit of innovation, competition, and adventure that defined the period and contributed to the rise of the automobile as a symbol of progress.\u003c\/p\u003e\n\u003cp\u003eAutomobile - Sport\u003c\/p\u003e\n\u003cp\u003eWinner of the Grand Prix of the A.C.F.\u003c\/p\u003e\n\u003cp\u003eGood condition, small tears\u003c\/p\u003e","brand":"Montaut Ernest","offers":[{"title":"45 x 90 \/ A-  \/ On Linen","offer_id":42770493112505,"sku":null,"price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_03259_28962ef1-5595-41cf-b451-d77287751ba7.jpg?v=1735057364"},{"product_id":"ap_03274","title":"Calendrier de l'armée du salut 1893","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eMedical - Military\u003c\/p\u003e\n\u003cp\u003eCommissioners of France and Switzerland\u003c\/p\u003e\n\u003cp\u003eArt Institut Orell Fussli Zurich\u003c\/p\u003e\n\u003cp\u003eGood condition, tears, small holes, humidity spots\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"89 x  62 \/ B","offer_id":42770493178041,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_03274_140ebbb6-1e9a-4fe8-b252-48a37e87469b.jpg?v=1745249585"},{"product_id":"ap_03328","title":"Débit de tabac Circa 1900","description":"\u003cp\u003eWood engraving\u003c\/p\u003e\n\u003cp\u003ePress - Military - Agriculture\u003c\/p\u003e\n\u003cp\u003eRevue Lorraine Illustrated - Virginie\u003c\/p\u003e\n\u003cp\u003ePellerin \u0026amp; Cie\u003c\/p\u003e\n\u003cp\u003eGood condition, folds\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"63 x 48 \/ A","offer_id":42979052388537,"sku":null,"price":300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_03328_2aed606e-f608-4db1-a873-d0deb6936c06.jpg?v=1739985375"},{"product_id":"ap_03479","title":"Palais de l'Exposition Universelle Paris 1867","description":"\u003cp data-end=\"564\" data-start=\"200\"\u003eThe 1867 Exposition Universelle in Paris was one of the grandest World’s Fairs of the 19th century, showcasing industrial progress, cultural achievements, and artistic excellence. This stunning original 1867 poster captures the breathtaking Palais de l’Exposition Universelle, an architectural marvel designed to house exhibits from across the world.\u003c\/p\u003e\n\u003cp data-end=\"969\" data-start=\"566\"\u003eThis meticulously detailed lithograph presents an aerial perspective of the elliptical iron and glass structure, a feat of engineering that reflected the grandeur and ambition of Napoleon III’s France. The fairgrounds, beautifully landscaped and symmetrically arranged, highlight the immersive experience visitors enjoyed, featuring gardens, pavilions, galleries, and entertainment spaces.\u003c\/p\u003e\n\u003cp data-end=\"1259\" data-start=\"971\"\u003eA rare and historically significant piece, this original 1867 print is a testament to the era’s fascination with progress, architecture, and global exchange. Collectors and historians alike cherish such pieces for their artistry and documentation of a pivotal moment in history.\u003c\/p\u003e\n\u003cp data-end=\"1587\" data-start=\"1410\"\u003eThis antique print is a remarkable glimpse into the past, encapsulating the spirit of innovation, elegance, and international unity that defined the 1867 World’s Fair.\u003c\/p\u003e\n\u003cp\u003eIndustry - Exhibition - France\u003c\/p\u003e\n\u003cp\u003eInvalides - Military School\u003c\/p\u003e\n\u003cp\u003eVan Geleyn Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, traces of folds\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"50 x70 \/ A  \/ On Linen","offer_id":41595053506745,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_03479Insta2.jpg?v=1740073070"},{"product_id":"ap_03996","title":"Cacao Talmone Circa 1895","description":"\u003cp data-start=\"86\" data-end=\"410\"\u003eThis charming circa 1895 poster for \u003cem data-start=\"122\" data-end=\"137\"\u003eCacao Talmone\u003c\/em\u003e from Turin is a delightful example of late 19th-century advertising, blending narrative illustration with early brand identity. Rooted in a warm, almost theatrical composition, it reflects a time when commercial posters sought to tell a story as much as promote a product.\u003c\/p\u003e\n\u003cp data-start=\"412\" data-end=\"797\"\u003eAt the center of the scene, an elderly couple shares a quiet, intimate moment. The woman, dressed in traditional attire, gently pours a cup of cacao for the seated man, who looks up at her with affection. Their expressions and gestures convey warmth, familiarity, and simple pleasure—suggesting that the product is not merely a beverage, but part of everyday life and human connection.\u003c\/p\u003e\n\u003cp data-start=\"799\" data-end=\"1189\"\u003eThe painterly style is rich in detail and texture, reminiscent of genre painting. The figures are rendered with care, their faces expressive and lifelike, while the subdued background allows the scene to emerge with clarity. This approach reflects the influence of academic art traditions on early advertising, before the rise of more graphic and stylized poster design in the 20th century.\u003c\/p\u003e\n\u003cp data-start=\"1191\" data-end=\"1440\"\u003eAbove the figures, the bold lettering “CACAO TALMONE TORINO” anchors the composition, ensuring immediate brand recognition. The typography is strong yet harmonious with the image, striking a balance between commercial clarity and aesthetic cohesion.\u003c\/p\u003e\n\u003cp data-start=\"1442\" data-end=\"1740\"\u003eTalmone, a well-known Italian confectionery brand of the period, used such imagery to evoke trust, tradition, and quality. By associating cacao with domestic comfort and generational continuity, the advertisement appeals to both emotion and taste, positioning the product as wholesome and enduring.\u003c\/p\u003e\n\u003cp data-start=\"1742\" data-end=\"2024\"\u003eThis poster belongs to a transitional moment in advertising history—when printed images were evolving from purely informational notices into expressive visual narratives. It anticipates the golden age of poster art while remaining firmly rooted in 19th-century artistic conventions.\u003c\/p\u003e\n\u003cp data-start=\"2026\" data-end=\"2238\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eToday, \u003cem data-start=\"2033\" data-end=\"2048\"\u003eCacao Talmone\u003c\/em\u003e stands as a beautifully preserved example of early commercial art, where storytelling, craftsmanship, and branding come together to create an image that is both persuasive and deeply human.\u003c\/p\u003e\n\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eGastronomy - Advertising - Italy\u003c\/p\u003e\n\u003cp\u003eTorino - Chocolate\u003c\/p\u003e\n\u003cp\u003eGood condition, a fold, small spots\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"50 x 34 \/ A-","offer_id":42979079389369,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_03996Insta2.jpg?v=1774618575"},{"product_id":"ap_04151","title":"Exposition internationale des amballages du froid et des industries annexes 1913","description":"\u003cp\u003eVery beautiful poster for the International Exhibition of cold packaging and related industries made by Georges Lepape 🇫🇷 (1887-1971) in 1913. Georges Lepape was a French fashion designer, poster artist and engraver.\u003cbr\u003e\u003cbr\u003eLepape's style is strongly influenced by orientalism, Persian miniatures as well as Russian ballets and perfectly represents the artistic lineage of the 1930s.\u003c\/p\u003e\n\u003cp\u003eTransportation - Agriculture - Colony\u003c\/p\u003e\n\u003cp\u003eLarge palace of Champs Elysées\u003c\/p\u003e\n\u003cp\u003eG. Dupuy Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, traces of folds, small restored tears\u003c\/p\u003e","brand":"Lepape Georges","offers":[{"title":"88 x 128 \/ A-  \/ On Linen","offer_id":41595056292025,"sku":null,"price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_04151insta2.jpg?v=1666101377"},{"product_id":"ap_04173","title":"Le pneu Beeston - le Roi de la route Circa 1900","description":"\u003cp\u003e\u003cspan\u003eChoubrac is one of the pioneers of poster art in France. In 1884, when Maindron published his first article on posters, he listed only nine active poster artists known to him, and included the three poster artists whose work made up the first poster exhibition, held that same year at the Passage Vivienne in Paris: Alfred and Léon Choubrac and Jules Chéret.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBeeston Tires advertised their product as \"the king of the road\".\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChoubrac opts for a much more curved business card to draw attention to the road tire. This is the smaller version on display in the store.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCycle - Advertising - Transport\u003c\/p\u003e\n\u003cp\u003eOnly Dusseldorp \u0026amp; Cie dealers\u003c\/p\u003e\n\u003cp\u003eGood condition, traces of folds\u003c\/p\u003e","brand":"Choubrac Alfred","offers":[{"title":"43 x 31 \/ A  \/ On Linen","offer_id":41597228187833,"sku":null,"price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04173_21e4e5a5-4d2d-49a3-8eba-8a98818986e5.jpg?v=1729957996"}],"url":"https:\/\/galerie1881.com\/en\/collections\/belle-epoque\/gastronomie.oembed","provider":"Galerie 1881","version":"1.0","type":"link"}