{"title":"Bonnard Pierre","description":null,"products":[{"product_id":"ap_07093","title":"Daphnis \u0026 Chloé - Nymphe dans la grotte Circa 1900","description":"\u003cp\u003eOriginal Lithograph\u003c\/p\u003e\n\u003cp\u003eMythology - Abstract\u003c\/p\u003e\n\u003cp\u003eProof on Japanese paper\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Bonnard Pierre","offers":[{"title":"33 x 24 \/ A","offer_id":53552851779911,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_07093_bis.jpg?v=1774118447"},{"product_id":"ap_17791-la-revue-blanche-1896-bonnard-pierre-original-vintage-poster-affiche-ancienne-originale","title":"La revue Blanche 1896 - Les Maîtres de l'affiche Pl. 38","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003ePierre Bonnard's \"La revue Blanche\" poster, created in 1896, is considered a masterpiece of poster art. It is part of the \"Maîtres de l'Affiche\" collection, edited by Jules Chéret, a pioneer of poster advertising.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePierre Bonnard was a French painter and poster artist. His poster \"La revue Blanche\" depicts an elegant woman in a white dress, seated in an armchair and holding a copy of the magazine of the same name. The background is filled with decorative motifs and vibrant colors, creating a dynamic atmosphere.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBonnard skilfully uses color to attract attention. Vivid shades of red, yellow and blue are juxtaposed, creating a striking contrast. Shapes and lines are simplified, adding to the poster's modern look.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"La revue Blanche\" was an influential literary and artistic publication of the time. Bonnard's poster expresses the magazine's creative spirit and intellectualism.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLes Maîtres de l'Affiche was a collection of 256 posters created by renowned artists of the time. Bonnard's poster was one of the most sought-after in the collection, testifying to the growing importance of poster art in the late 19th century. This is plate number 38.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLiterature - Advertising - France\u003c\/p\u003e\n\u003cp\u003eLes Maîtres de l'affiche Pl. 38\u003c\/p\u003e\n\u003cp\u003eChaix\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Bonnard Pierre","offers":[{"title":"40 x 29 \/ A+","offer_id":44020881129788,"sku":null,"price":2500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_17791Insta2.jpg?v=1688992478"},{"product_id":"ap_17782","title":"L'estampe et l'affiche revue d'art 1897","description":"\u003cp\u003e\u003cspan\u003eBeautiful poster by Pierre Bonnard for the art magazine l'estampe et l'affiche in 1897.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePierre Bonnard was an influential French painter of the Post-Impressionist movement. Born on October 3, 1867, he developed a unique style characterized by bold use of color and innovative exploration of perspective. Bonnard was also a talented illustrator and master printmaker. His work was widely recognized for its ability to capture intimate scenes of everyday life with poetic sensitivity. Throughout his career, Bonnard was associated with the Nabis group, a circle of experimental artists. His influence on advertising art is undeniable, notably through his remarkable posters, such as the one produced for the art magazine l'estampe et l'affiche. Pierre Bonnard died on January 23, 1947, leaving behind him a lasting artistic legacy.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLiterature - Advertising\u003c\/p\u003e\n\u003cp\u003eDirector Clément Janin\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Bonnard Pierre","offers":[{"title":"26 x 20 \/ A+","offer_id":46931507085639,"sku":null,"price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_17782Insta2.jpg?v=1689339010"},{"product_id":"ap_22515","title":"Les Maîtres de l'affiche Pl. 38 - La Revue Blanche 1896","description":"\u003cp\u003e\u003cspan\u003ePierre Bonnard's \"La revue Blanche\" poster, created in 1896, is considered a masterpiece of poster art. It is part of the \"Maîtres de l'Affiche\" collection, edited by Jules Chéret, a pioneer of poster advertising.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePierre Bonnard was a French painter and poster artist. His poster \"La revue Blanche\" depicts an elegant woman in a white dress, seated in an armchair and holding a copy of the magazine of the same name. The background is filled with decorative motifs and vibrant colors, creating a dynamic atmosphere.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBonnard skilfully uses color to attract attention. Vivid shades of red, yellow and blue are juxtaposed, creating a striking contrast. Shapes and lines are simplified, adding to the poster's modern look.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"La revue Blanche\" was an influential literary and artistic publication of the time. Bonnard's poster expresses the magazine's creative spirit and intellectualism.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLes Maîtres de l'Affiche was a collection of 256 posters created by renowned artists of the time. Bonnard's poster was one of the most sought-after in the collection, testifying to the growing importance of poster art in the late 19th century. This is plate number 38.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLiterature - Advertising - France\u003c\/p\u003e\n\u003cp\u003eLes Maîtres de l'affiche Pl. 38\u003c\/p\u003e\n\u003cp\u003eChaix\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Bonnard Pierre","offers":[{"title":"40 x 29 \/ A","offer_id":50730643456327,"sku":null,"price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_22515Insta2.jpg?v=1734099916"},{"product_id":"ap_22555","title":"La revue Blanche 1896","description":"\u003cp data-start=\"190\" data-end=\"506\"\u003eA triumph of fin-de-siècle Parisian graphic art, this poster by Pierre Bonnard announces \u003cem data-start=\"279\" data-end=\"297\"\u003eLa Revue Blanche\u003c\/em\u003e, one of the most influential avant-garde literary and arts journals of the 1890s. Founded by the Natanson brothers, the publication quickly became a hub for Symbolists, anarchists, and Impressionists alike.\u003c\/p\u003e\n\u003cp data-start=\"508\" data-end=\"913\"\u003eBonnard, a member of the Nabis group, infused the design with his characteristic decorative flatness and soft palette. The fashionable woman gliding across the wintery scene—her silhouette trailing like a gust of snow—is thought to be Misia Natanson, the muse and patron of many Belle Époque artists. Her fur-trimmed coat and parasol exude sophistication, echoing the journal's cutting-edge cultural tone.\u003c\/p\u003e\n\u003cp data-start=\"915\" data-end=\"1123\"\u003eThe flowing text and asymmetrical composition place this work firmly in the Art Nouveau aesthetic, yet with Bonnard’s uniquely poetic touch. The result is both an elegant advertisement and a timeless artwork.\u003c\/p\u003e\n\u003cp\u003eLiterature - Advertising - France\u003c\/p\u003e\n\u003cp\u003eEdw. Ancourt Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, pin holes\u003c\/p\u003e","brand":"Bonnard Pierre","offers":[{"title":"26.5 x 20 \/ A","offer_id":50730649059655,"sku":null,"price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_22555Insta2.jpg?v=1748359067"},{"product_id":"ap_23012","title":"La dernière croisade - L'errante - La fleur enlevée - Programme du théâtre de l'oeuvre 1896","description":"\u003cp data-start=\"449\" data-end=\"827\"\u003eIn this rare and evocative 1896 theatre program, Pierre Bonnard—then a rising figure of the \u003cem data-start=\"545\" data-end=\"552\"\u003eNabis\u003c\/em\u003e movement—brings his unique visual language to the printed stage. Commissioned by the Théâtre de l’Œuvre, one of Paris’s most avant-garde venues at the fin-de-siècle, the program accompanies a trilogy of plays: \u003cem data-start=\"767\" data-end=\"789\"\u003eLa dernière croisade\u003c\/em\u003e, \u003cem data-start=\"791\" data-end=\"802\"\u003eL’errante\u003c\/em\u003e, and \u003cem data-start=\"808\" data-end=\"826\"\u003eLa fleur enlevée\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-start=\"829\" data-end=\"1396\"\u003eDrawn in Bonnard’s characteristic spontaneous, sketch-like lithographic style, the imagery bridges the world of illustration and fine art. The left side of the program features a sensual, introspective pair of nude figures rendered with minimal yet expressive lines—embodying the dreamlike eroticism often associated with Bonnard’s early work. On the right, Bonnard contrasts the intimate with the theatrical, depicting a dandyish man in profile, lost in whisper or reverie, his top hat and curled mustache evoking the bohemian elegance of Belle Époque Paris.\u003c\/p\u003e\n\u003cp data-start=\"1398\" data-end=\"1847\"\u003ePublished as part of a limited \u003cem data-start=\"1429\" data-end=\"1448\"\u003eédition d’amateur\u003c\/em\u003e by the Revue Encyclopédique Larousse, the program reflects a moment in which literature, visual art, and theatre converged in the experimental spaces of Parisian culture. The Théâtre de l’Œuvre, founded by Aurélien Lugné-Poe, was known for staging works by Maeterlinck, Ibsen, and Jarry, fostering the Symbolist and Decadent movements through its radical programming and aesthetics.\u003c\/p\u003e\n\u003cp data-start=\"1849\" data-end=\"2144\"\u003eBonnard—who would go on to become one of the most important French painters of the 20th century—here demonstrates his early mastery of graphic design. His work with typography, composition, and human form hints at the synthesis of intimacy and modernity that would define his later canvases.\u003c\/p\u003e\n\u003cp data-start=\"2146\" data-end=\"2515\"\u003eThis program is not merely ephemera but a window into the cultural avant-garde of 1890s Paris, where even a playbill became a canvas, and every evening at the theatre a Gesamtkunstwerk—a total artwork. Today, it is cherished by collectors for its delicate linework, historical resonance, and as a stunning example of Bonnard’s printmaking in the \u003cem data-start=\"2500\" data-end=\"2507\"\u003eNabis\u003c\/em\u003e period.\u003c\/p\u003e\n\u003cp\u003eTheater - Avant-Garde - France\u003c\/p\u003e\n\u003cp\u003eThe Larousse Encyclopedic Review - Aitken 82\u003c\/p\u003e\n\u003cp\u003eGood condition, slight creases\u003c\/p\u003e","brand":"Bonnard Pierre","offers":[{"title":"32.5 x 50 \/ A-","offer_id":51640327668039,"sku":null,"price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_23012insta2.jpg?v=1750678545"},{"product_id":"ap_23856","title":"Nib Carnavalesque supplément de la Revue Blanche 1895","description":"\u003cp data-start=\"244\" data-end=\"685\"\u003eThis rare and whimsical 1895 poster by Pierre Bonnard was created as a special supplement to \u003cem data-start=\"341\" data-end=\"359\"\u003eLa Revue Blanche\u003c\/em\u003e, the influential French literary and artistic magazine of the fin-de-siècle. Titled \u003cem data-start=\"444\" data-end=\"463\"\u003eNib Carnavalesque\u003c\/em\u003e, this double-sided print is not only a poster but a unique collaboration between Bonnard and writer Romain Coolus, blending poetry and visual art into a humorous and satirical celebration of Parisian carnival culture.\u003c\/p\u003e\n\u003cp data-start=\"687\" data-end=\"1093\"\u003ePrinted by the renowned \u003cem data-start=\"711\" data-end=\"729\"\u003eImprimerie Chaix\u003c\/em\u003e, the piece features Bonnard’s lively, spontaneous linework illustrating fantastical characters, masked faces, and animated parade scenes—all surrounding Coolus’ playful verses \u003cem data-start=\"906\" data-end=\"927\"\u003e“Au bal de l'Opéra”\u003c\/em\u003e and \u003cem data-start=\"932\" data-end=\"943\"\u003e“Parade.”\u003c\/em\u003e The composition unfolds like a visual poem, reflecting Bonnard’s early interest in Japanese prints, caricature, and the theatricality of modern life.\u003c\/p\u003e\n\u003cp data-start=\"1095\" data-end=\"1440\"\u003eThis work is catalogued as Bouvet 32 in the artist’s catalogue raisonné and is considered a landmark of Bonnard’s early graphic output. As a member of Les Nabis, Bonnard was central to the transformation of the poster into a modern art form, elevating it beyond advertising into the realm of personal expression and aesthetic innovation.\u003c\/p\u003e\n\u003cp data-start=\"1442\" data-end=\"1628\"\u003eDelicate, witty, and highly evocative of the Belle Époque spirit, \u003cem data-start=\"1508\" data-end=\"1527\"\u003eNib Carnavalesque\u003c\/em\u003e stands as a testament to the creative interplay of literature and illustration in avant-garde Paris.\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003ePress - Show - France\u003c\/p\u003e\n\u003cp\u003ePrinted on both sides, text by Romain Coolus - Bouvet 32\u003c\/p\u003e\n\u003cp\u003eGood condition, trace of folds, one tear\u003c\/p\u003e","brand":"Bonnard Pierre","offers":[{"title":"33 x 50 \/ A-","offer_id":52891179483463,"sku":null,"price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_23856Insta2.jpg?v=1765821585"}],"url":"https:\/\/galerie1881.com\/en\/collections\/bonnard-pierre.oembed","provider":"Galerie 1881","version":"1.0","type":"link"}