{"title":"Hassall John","description":null,"products":[{"product_id":"ap_08638","title":"A Night Out Circa 1900","description":"\u003cp\u003eOriginal poster of the beginning of the century for the Vaudeville theater, entitled A night out and printed by David Allen \u0026amp; sons in London.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJohn Hassall ( 1868 - 1948 ) was an English illustrator, known for his advertising and posters.\u003c\/p\u003e\n\u003cp\u003eGood condition, signs of folds, on linen\u003c\/p\u003e","brand":"Hassall John","offers":[{"title":"75 x 50 \/ A  \/ On Linen","offer_id":41595098759353,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_08638Insta2.jpg?v=1655291302"},{"product_id":"ap_17168","title":"The shop girl - A Little bit of fluff Circa 1895","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eShow - Cabaret - Dance - United Kingdom\u003c\/p\u003e\n\u003cp\u003eDavid Allen \u0026amp; Sons London\u003c\/p\u003e\n\u003cp\u003eGood condition, folds, a tear\u003c\/p\u003e","brand":"Hassall John","offers":[{"title":"76 x 51 \/ A-","offer_id":46931562463559,"sku":null,"price":700.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_17168_0ee15958-db0e-448f-bf3a-33d1c33dbdf4.jpg?v=1688649345"},{"product_id":"ap_17158","title":"Terry's Theatre The white Knight Circa 1895","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69494d56-eed8-832e-864c-ca1e318679ea-12\" data-testid=\"conversation-turn-656\" data-scroll-anchor=\"true\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"7e24ea2b-a57a-4791-9196-a8a4bc3d98b3\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"113\" data-end=\"376\"\u003eThis bold circa 1895 poster by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJohn Hassall\u003c\/span\u003e\u003c\/span\u003e for \u003cem data-start=\"186\" data-end=\"222\"\u003eTerry’s Theatre – The White Knight\u003c\/em\u003e is a striking example of early modern poster design in Britain, where clarity, humor, and strong visual impact take precedence over elaborate decoration.\u003c\/p\u003e\n\u003cp data-start=\"378\" data-end=\"811\"\u003eAt the center stands a stylized knight in armor, rendered in a simplified, almost cartoon-like manner. Holding a long lance and shield, the figure is immediately legible, even from a distance—a key requirement for effective street advertising. The character likely refers to \u003cem data-start=\"653\" data-end=\"671\"\u003eThe White Knight\u003c\/em\u003e, a theatrical production associated with actor-manager \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEdward Terry\u003c\/span\u003e\u003c\/span\u003e, whose name appears prominently at the bottom.\u003c\/p\u003e\n\u003cp data-start=\"813\" data-end=\"1178\"\u003eHassall’s approach is notably modern for its time. Rather than filling the space with intricate detail, he employs flat areas of color, strong outlines, and a limited palette dominated by vivid orange, black, and white. This reduction of visual elements enhances readability and gives the poster a graphic power that anticipates 20th-century advertising design.\u003c\/p\u003e\n\u003cp data-start=\"1180\" data-end=\"1522\"\u003eThe composition is carefully structured: the knight occupies the central vertical axis, while a bold black horizontal band cuts across the image, anchoring the figure and creating a dynamic contrast with the bright background. The typography is equally assertive, with \u003cem data-start=\"1449\" data-end=\"1469\"\u003e“THE WHITE KNIGHT”\u003c\/em\u003e set in large, blocky letters that command attention.\u003c\/p\u003e\n\u003cp data-start=\"1524\" data-end=\"1778\"\u003eHassall was known for his ability to combine humor and accessibility with effective design, and this poster reflects that talent. The knight, while heroic, has a slightly exaggerated and approachable quality, making the image both engaging and memorable.\u003c\/p\u003e\n\u003cp data-start=\"1780\" data-end=\"2041\"\u003ePrinted for a London audience, the poster reflects the competitive world of late Victorian theatre, where visual advertising played a crucial role in attracting crowds. Its clarity and immediacy would have made it highly effective in the busy urban environment.\u003c\/p\u003e\n\u003cp data-start=\"2043\" data-end=\"2262\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eToday, this work stands as a key example of John Hassall’s contribution to poster art—marking a shift toward simplicity, boldness, and mass communication that would define modern graphic design in the decades to follow.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eShow - Theater - United Kingdom\u003c\/p\u003e\n\u003cp\u003eBy G. Stuart Ogilvie - Mr Edward Terry\u003c\/p\u003e\n\u003cp\u003eDavid Allen \u0026amp; Sons Harrow\u003c\/p\u003e\n\u003cp\u003eGood condition, folds\u003c\/p\u003e","brand":"Hassall John","offers":[{"title":"76 x 51 \/ A","offer_id":46931578945863,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_17158Insta2.jpg?v=1775498229"},{"product_id":"ap_17167","title":"Garrick Theatre - Little Tich - Lord Tom Noddy Circa 1895","description":"\u003cp data-start=\"111\" data-end=\"428\"\u003eThis charming circa 1895 poster by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJohn Hassall\u003c\/span\u003e\u003c\/span\u003e promotes the celebrated music hall performer \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLittle Tich\u003c\/span\u003e\u003c\/span\u003e in his comic role \u003cem data-start=\"285\" data-end=\"301\"\u003eLord Tom Noddy\u003c\/em\u003e at London’s Garrick Theatre. It is a quintessential example of Hassall’s clear, humorous, and highly accessible graphic style.\u003c\/p\u003e\n\u003cp data-start=\"430\" data-end=\"862\"\u003eAt the center of the composition, two figures sit perched atop a travel trunk labeled \u003cem data-start=\"516\" data-end=\"535\"\u003e“Lord Tom Noddy.”\u003c\/em\u003e On the left, the diminutive and sharply dressed Little Tich is instantly recognizable, his exaggerated proportions and lively expression conveying his trademark comic persona. Opposite him sits a stylish woman, posed with elegant confidence, her voluminous sleeves and composed demeanor contrasting with Tich’s playful energy.\u003c\/p\u003e\n\u003cp data-start=\"864\" data-end=\"1219\"\u003eHassall’s strength lies in this contrast. The interaction between the two characters—one animated and mischievous, the other poised and self-assured—suggests a narrative dynamic typical of music hall comedy. Rather than depicting a specific scene, the poster captures the spirit of the performance: lighthearted, character-driven, and full of personality.\u003c\/p\u003e\n\u003cp data-start=\"1221\" data-end=\"1527\"\u003eThe design is remarkably uncluttered. A neutral background allows the figures to stand out clearly, while bold red typography frames the image: \u003cem data-start=\"1365\" data-end=\"1384\"\u003e“GARRICK THEATRE”\u003c\/em\u003e at the top and \u003cem data-start=\"1400\" data-end=\"1415\"\u003e“LITTLE TICH”\u003c\/em\u003e at the bottom. This simplicity ensures immediate legibility, a hallmark of Hassall’s approach to poster design.\u003c\/p\u003e\n\u003cp data-start=\"1529\" data-end=\"1850\"\u003eThe color palette is restrained but effective. Subtle tones in the clothing and trunk are punctuated by small but vivid accents—such as Tich’s red socks—which draw the eye and add a playful touch. The clean outlines and flat areas of color reflect the influence of modern poster design emerging across Europe at the time.\u003c\/p\u003e\n\u003cp data-start=\"1852\" data-end=\"2082\"\u003ePrinted by David Allen \u0026amp; Sons, the poster exemplifies the high-quality lithographic production of the period. Its clarity and balance demonstrate how British poster art was evolving toward a more graphic, less cluttered aesthetic.\u003c\/p\u003e\n\u003cp data-start=\"2084\" data-end=\"2358\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAs a work, this poster captures the essence of late Victorian entertainment: character, humor, and immediacy. It also highlights John Hassall’s role in shaping a distinctly British poster style—direct, engaging, and designed to communicate instantly with a passing audience.\u003c\/p\u003e\n\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eShow - Theater - Comedy - United Kingdom\u003c\/p\u003e\n\u003cp\u003eDavid Allen \u0026amp; Sons London\u003c\/p\u003e\n\u003cp\u003eGood condition, folds, a tear\u003c\/p\u003e","brand":"Hassall John","offers":[{"title":"71 x 51 \/ A-","offer_id":46931588972871,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_17167Insta2.jpg?v=1775558664"},{"product_id":"ap_23104","title":"The Celestials Circa 1890","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis is an original poster by John Hassall titled “The Celestials,” created circa early 1900s for David Allen \u0026amp; Sons, Harrow, London. It features two Chinese figures performing a street card trick, depicted in Hassall’s iconic bold line and flat colour style with a vivid red border and clean lettering. John Hassall (1868–1948) was one of Britain’s most influential illustrators and poster artists, known as “The Poster King” for his prolific output of advertising, theatre, and travel posters during the Edwardian era. This design promoted a music hall variety act themed on ‘Oriental’ performances, which were popular at the time, and showcases Hassall’s ability to combine humour, caricature, and clear graphic impact in a single composition. Printed as a stone lithograph by David Allen \u0026amp; Sons, it remains in excellent condition with strong colours and light age marks consistent with archival preservation. A rare and collectable piece of British poster art history representing the golden age of illustrated advertising design.\u003c\/p\u003e\n\u003cp\u003eShow - Asia - Games - United Kingdom\u003c\/p\u003e\n\u003cp\u003eCharles Joseph Guillemain Collection, His stamp bottom left - (Lugt 4766)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by David Allen \u0026amp; Sons in Harrow\u003c\/p\u003e\n\u003cp\u003eGood condition, slight restorations\u003c\/p\u003e","brand":"Hassall John","offers":[{"title":"73 x 50 \/ A  \/ On Linen","offer_id":51797325513031,"sku":null,"price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_23104_42cb1110-62d1-446f-9bed-c65ad095bc96.jpg?v=1750596063"}],"url":"https:\/\/galerie1881.com\/en\/collections\/hassall-john\/royaume-uni.oembed","provider":"Galerie 1881","version":"1.0","type":"link"}