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Bourgeois, deputy for the Vendée, at the opening of a session of the Chamber of Deputies on 9 January 1906. Published by Le Petit Patriote, the text was addressed to the French public and particularly to younger generations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe design is dominated by monumental black lettering set against a warm orange-red background. Beneath the title, the complete speech is arranged in two closely printed columns, framed by a simple typographical ornament and concluding with the emphatic declaration “Vive la France!”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe speech appeals to patriotism, national unity, civic responsibility and the defence of France. At the foot of the poster, readers of every age and social background are encouraged to revisit the text regularly and to share it with their children.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts austere typographical presentation gives the poster the appearance of a public proclamation. Created during the Belle Époque, it reflects the strong patriotic culture of early twentieth-century France and the importance placed upon transmitting national and republican values to the country’s youth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA compelling historical document, this original poster would make an interesting addition to a collection devoted to French political history, patriotic ephemera, typography or Belle Époque printed material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003ePress - Politics - Vendée\u003c\/p\u003e\n\u003cp\u003eThe Little Patriot - Long Live France\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Auxerre\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"78 x 57 \/ A+  \/ On Linen","offer_id":54951269138759,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04168Insta2.jpg?v=1793035891"},{"product_id":"ap_04389","title":"La sortita della Crociata dal Vaticano 1871","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003ePolicy - Religion - Caricature\u003c\/p\u003e\n\u003cp\u003eHoly See (Vatican City) - Published in Rome on March 9, 1871\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"48 x 55 \/ A  \/ On Linen","offer_id":46494325276999,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04389_bee618d9-3ae6-4636-bf3a-5a0b4dedf5f3.jpg?v=1783621463"},{"product_id":"ap_04490","title":"Pompidou union - efficacité 1969","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003ePolitics - France\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Lalande Courbet in Wissous\u003c\/p\u003e\n\u003cp\u003eGood condition, minor tears\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"80 x 61 \/ A-","offer_id":54951246135623,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04490_fda44d49-d51a-4da8-9bb4-92e4a6c8e84b.jpg?v=1789007990"},{"product_id":"ap_04491","title":"Pompidou vive la France 1969","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003ePolitics - France\u003c\/p\u003e\n\u003cp\u003eFrench men and women, choose progress\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by CEDIM in Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, minor tears\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"80 x 60 \/ A-","offer_id":54951247348039,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04491_a039913a-21f5-42d2-82ef-9c20d9bc302e.jpg?v=1789008157"},{"product_id":"ap_04554","title":"Can you read in my face? - Obama Circa 2010","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eUnited States - Policy - Exhibition\u003c\/p\u003e\n\u003cp\u003eAstarte gallery\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Wilga Lerat Guy","offers":[{"title":"70 x 50 \/ A","offer_id":46494321148231,"sku":null,"price":300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04554_7de87660-2f2c-415b-a973-62a8d4e8049a.jpg?v=1783622075"},{"product_id":"ap_04807","title":"Le crime national Circa 1908","description":"\u003cp data-start=\"188\" data-end=\"583\"\u003eThis striking and provocative 1908 poster, titled \u003cem data-start=\"242\" data-end=\"261\"\u003eLe Crime National\u003c\/em\u003e, is a dramatic response to one of the most contentious political upheavals in French history: the Separation of Church and State. Printed in bold black ink on a vivid red-orange background, the poster was a call to arms, appealing directly to French voters who were alarmed by the government's secular policies.\u003c\/p\u003e\n\u003cp data-start=\"655\" data-end=\"1029\"\u003eAt the heart of the controversy was the 1905 French law that officially ended the state’s recognition of any religion, marking a definitive break between the Catholic Church and the Republic. This legislation, seen by many as a triumph of secularism and democracy, was regarded by its opponents as an assault on the religious traditions and identity of France.\u003c\/p\u003e\n\u003cp data-start=\"1031\" data-end=\"1324\"\u003eThe poster fiercely condemns the senators who voted for the law, accusing them of committing a grave offense against God and the nation. It paints the law not as a progressive reform but as a “national crime”, an act of betrayal against the faithful and their spiritual heritage.\u003c\/p\u003e\n\u003cp data-start=\"1358\" data-end=\"1779\"\u003eThe visual elements of \u003cem data-start=\"1381\" data-end=\"1400\"\u003eLe Crime National\u003c\/em\u003e are unmistakably powerful. At the top, a radiant Christ figure, depicted in the style of religious iconography, raises his hand in a gesture of blessing and warning. Below him, a broken cross and a crumbling inscription reading “Et super hanc petram ædificabo Ecclesiam meam” (“Upon this rock, I will build my Church”) symbolize the destruction of religious authority.\u003c\/p\u003e\n\u003cp data-start=\"1781\" data-end=\"2127\"\u003eBeneath Christ, grotesque and skeletal figures—possibly representing secular politicians or anti-clerical forces—are shown gnawing at the remnants of the Church, an apocalyptic vision of moral and spiritual decay. The poster’s intent is clear: to depict the secular government as a force of destruction, irreverence, and corruption.\u003c\/p\u003e\n\u003cp data-start=\"2174\" data-end=\"2612\"\u003eBeyond its shocking imagery, the poster serves as a political manifesto, directly addressing \u003cem data-start=\"2271\" data-end=\"2291\"\u003eÉlecteurs Français\u003c\/em\u003e (“French voters”) in bold text. It denounces the 179 senators who voted for the separation, urging citizens to hold them accountable and reject the forces of secularism. The text presents the law as a betrayal of the nation's Christian values, likening it to historical persecutions against the Church.\u003c\/p\u003e\n\u003cp data-start=\"2614\" data-end=\"2887\"\u003eThis impassioned appeal reflects the broader conservative Catholic resistance to the Third Republic’s secular policies. The poster emphasizes that Christ will triumph over the forces of secularism, reinforcing the idea that divine justice will ultimately prevail.\u003c\/p\u003e\n\u003cp data-start=\"2950\" data-end=\"3242\"\u003e\u003cem data-start=\"2950\" data-end=\"2969\"\u003eLe Crime National\u003c\/em\u003e is not just a historical artifact; it is a testament to the fierce ideological battles of early 20th-century France. While secularists celebrated the freedom from religious influence, Catholic conservatives saw it as an attack on their faith and way of life.\u003c\/p\u003e\n\u003cp data-start=\"3244\" data-end=\"3550\"\u003eToday, this poster remains a powerful example of religious-political propaganda, reflecting the deeply entrenched divisions in French society at the time. It serves as a reminder of how art, media, and rhetoric have long been used to mobilize public opinion and shape political discourse.\u003c\/p\u003e\n\u003cp\u003ePolitics - Religion - Propaganda - France\u003c\/p\u003e\n\u003cp\u003eChrist will always conquer!!!\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Chambon in Auxerre\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"78 x 57 \/ A  \/ On Linen","offer_id":51053818249543,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04807Insta2.jpg?v=1742291863"},{"product_id":"ap_04809","title":"Les sans-patrie... Voila l'ennemi ! Circa 1908","description":"\u003cp data-start=\"217\" data-end=\"705\"\u003eThis early 20th-century propaganda poster, titled \u003cem data-start=\"271\" data-end=\"305\"\u003eLes Sans-Patrie… Voilà l’Ennemi!\u003c\/em\u003e (\u003cem data-start=\"307\" data-end=\"342\"\u003eThe Stateless… Here is the Enemy!\u003c\/em\u003e), is a striking testament to the heated nationalist and anti-republican sentiments that surged in France in the years leading up to World War I. Created by E. Millo and published by \u003cem data-start=\"533\" data-end=\"552\"\u003eLe Petit Patriote\u003c\/em\u003e, the poster presents an impassioned defense of French patriotism while identifying internal enemies—those deemed to lack allegiance to the nation.\u003c\/p\u003e\n\u003cp data-start=\"754\" data-end=\"1131\"\u003eAt the time of its creation, France was deeply divided between nationalists and republicans, between those who saw France as a Catholic, traditionalist nation and those who pushed for a secular, progressive Republic. The Dreyfus Affair (1894–1906) had left the country bitterly fractured, with intense debates over loyalty, national identity, and military values.\u003c\/p\u003e\n\u003cp data-start=\"1133\" data-end=\"1467\"\u003eThis poster embodies the sentiments of right-wing conservatives who viewed the Republic’s secularism, its tolerance of political opposition, and its social reforms as signs of national decay. The target of their ire was the so-called \u003cem data-start=\"1379\" data-end=\"1392\"\u003eSans-Patrie\u003c\/em\u003e—those accused of betraying France by undermining its traditional values.\u003c\/p\u003e\n\u003cp data-start=\"1501\" data-end=\"1877\"\u003eThe poster’s dramatic black-and-white illustration is designed to evoke strong patriotic emotions. At its center stands a personification of France, likely inspired by Marianne, the symbolic female figure representing the French Republic. She holds a French flag and a sword, embodying strength and resistance against the perceived enemies of the nation.\u003c\/p\u003e\n\u003cp data-start=\"1879\" data-end=\"2090\"\u003eSurrounding her are figures from different walks of life—workers, mothers, soldiers, and historical figures—suggesting that \u003cem data-start=\"2007\" data-end=\"2029\"\u003etrue French citizens\u003c\/em\u003e stand together against those who would weaken the country.\u003c\/p\u003e\n\u003cp data-start=\"2092\" data-end=\"2317\"\u003eThe bold headline, \u003cem data-start=\"2115\" data-end=\"2151\"\u003e“Les Sans-Patrie… Voilà l’Ennemi!”\u003c\/em\u003e, leaves no room for ambiguity. It directly accuses those who lack national loyalty as traitors, rallying \"true\" French citizens to defend the homeland.\u003c\/p\u003e\n\u003cp data-start=\"2358\" data-end=\"2699\"\u003eThe text addresses “Aux Vrais Français” (\u003cem data-start=\"2403\" data-end=\"2426\"\u003eTo True French People\u003c\/em\u003e), making a direct appeal to patriotic sentiment. It warns readers about anti-national forces, particularly socialists, internationalists, and secularists, who are accused of corrupting French youth, undermining the military, and weakening national unity.\u003c\/p\u003e\n\u003cp data-start=\"2701\" data-end=\"2744\"\u003eAmong its claims, the poster states that:\u003c\/p\u003e\n\u003cul data-start=\"2745\" data-end=\"3078\"\u003e\n\u003cli data-start=\"2745\" data-end=\"2831\"\u003eFrench schools are being used to indoctrinate children against patriotism.\u003c\/li\u003e\n\u003cli data-start=\"2832\" data-end=\"2945\"\u003eMilitary service, a key element of national strength, is under attack by those who wish to weaken France.\u003c\/li\u003e\n\u003cli data-start=\"2946\" data-end=\"3078\"\u003eThe nation’s historical heroes and martyrs are being forgotten, replaced by values that do not serve the country’s survival.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3080\" data-end=\"3293\"\u003eThe final rallying cry at the bottom, \u003cem data-start=\"3122\" data-end=\"3166\"\u003e“À bas les sans-patrie \u0026amp; Vive la France !”\u003c\/em\u003e (\u003cem data-start=\"3168\" data-end=\"3213\"\u003eDown with the Stateless \u0026amp; Long Live France!\u003c\/em\u003e), reinforces the us-vs-them mentality that fueled nationalist propaganda.\u003c\/p\u003e\n\u003cp data-start=\"3349\" data-end=\"3677\"\u003e\u003cem data-start=\"3349\" data-end=\"3383\"\u003eLes Sans-Patrie… Voilà l’Ennemi!\u003c\/em\u003e encapsulates the intense nationalist fervor that was brewing in France on the eve of World War I. Just a few years later, this ideology would feed into the mobilization of millions of French soldiers, convinced that they were defending their homeland against existential threats.\u003c\/p\u003e\n\u003cp data-start=\"3679\" data-end=\"4014\"\u003eToday, this poster serves as a historical artifact of nationalist propaganda, a reflection of the fears, divisions, and political tensions that shaped early 20th-century France. It highlights how visual media was used to stir patriotic emotions, influence public opinion, and define the \"enemy\"—both foreign and domestic.\u003c\/p\u003e\n\u003cp\u003ePolitics - Propaganda - Press - France\u003c\/p\u003e\n\u003cp\u003eTo the real French!\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by The little Patriot in Auxerre\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Millo E.","offers":[{"title":"80 x 58 \/ A  \/ On Linen","offer_id":51053818380615,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04809Insta2.jpg?v=1742293388"},{"product_id":"ap_04810","title":"LaÏcisateurs et comédiens Circa 1908","description":"\u003cp data-start=\"215\" data-end=\"564\"\u003eThe early 20th century was a period of intense ideological struggle in France, particularly between Catholics and secularists. The 1905 Law on the Separation of Church and State had firmly established laïcité (secularism) as the guiding principle of the Republic, but it also triggered fierce backlash from religious conservatives.\u003c\/p\u003e\n\u003cp data-start=\"566\" data-end=\"833\"\u003eThe poster \"Laïcisateurs et Comédiens\" (Secularists and Comedians), attributed to E. Millo, is a powerful example of anti-secular propaganda that denounces what its authors saw as the hypocrisy and oppression of the French government’s secular policies.\u003c\/p\u003e\n\u003cp data-start=\"888\" data-end=\"1281\"\u003eBy 1908, France was still grappling with the fallout from the 1905 Separation Law, which had stripped the Catholic Church of many privileges, nationalized church property, and forced religious congregations to disband or register under strict regulations. These measures were seen by Catholic conservatives as an attack on faith and a betrayal of France’s Christian heritage.\u003c\/p\u003e\n\u003cp data-start=\"1283\" data-end=\"1501\"\u003eThis poster echoes the deep resentment among religious groups, particularly regarding the expulsion of nuns from hospitals and schools, which had previously been key centers of Catholic charity and education.\u003c\/p\u003e\n\u003cp data-start=\"1547\" data-end=\"1817\"\u003eThe bold headline, \u003cem data-start=\"1570\" data-end=\"1597\"\u003eLaïcisateurs et Comédiens\u003c\/em\u003e, immediately sets a mocking tone, likening secular politicians to actors performing a deceptive play—an accusation that the Republic’s commitment to secularism was nothing more than a theatrical fraud.\u003c\/p\u003e\n\u003cp data-start=\"1819\" data-end=\"2152\"\u003eThe phrase \u003cem data-start=\"1830\" data-end=\"1849\"\u003e\"Tous les mêmes!\"\u003c\/em\u003e (\u003cem data-start=\"1851\" data-end=\"1866\"\u003eAll the same!\u003c\/em\u003e) reinforces the idea of collusion between the Republic’s secular leaders, Freemasons, Protestants, and Jews, all portrayed as enemies of the Catholic faith. This kind of rhetoric was typical of the far-right, anti-Semitic, and Catholic conservative movements of the time.\u003c\/p\u003e\n\u003ch3 data-start=\"2154\" data-end=\"2190\"\u003eKey Themes and Accusations\u003c\/h3\u003e\n\u003cp data-start=\"2191\" data-end=\"2307\"\u003eThe poster’s text is a mix of satire, outrage, and lamentation, accusing secular authorities of hypocrisy:\u003c\/p\u003e\n\u003cul data-start=\"2308\" data-end=\"2653\"\u003e\n\u003cli data-start=\"2308\" data-end=\"2411\"\u003eThey banished nuns from hospitals and schools but still sought their care in times of need.\u003c\/li\u003e\n\u003cli data-start=\"2412\" data-end=\"2518\"\u003eThey claimed to defend the people but persecuted religious institutions that provided charity.\u003c\/li\u003e\n\u003cli data-start=\"2519\" data-end=\"2653\"\u003eThey denied faith a role in public life but couldn’t escape their dependence on religious institutions in times of crisis.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2655\" data-end=\"2843\"\u003eA small illustration depicts a nun attending to a sick patient, emphasizing the argument that religious orders were still essential for social welfare despite being outlawed.\u003c\/p\u003e\n\u003cp data-start=\"2916\" data-end=\"3104\"\u003eThe poster ends with an urgent appeal for citizens to recognize the secularist \"comedy\" for what it is—a political charade meant to oppress the faithful. The demand is clear:\u003c\/p\u003e\n\u003cul data-start=\"3105\" data-end=\"3287\"\u003e\n\u003cli data-start=\"3105\" data-end=\"3153\"\u003eStop persecuting religious institutions.\u003c\/li\u003e\n\u003cli data-start=\"3154\" data-end=\"3202\"\u003eRecognize the value of faith in society.\u003c\/li\u003e\n\u003cli data-start=\"3203\" data-end=\"3287\"\u003eAllow Catholics to freely practice their beliefs without state interference.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3289\" data-end=\"3512\"\u003eThe final rallying cry, \u003cem data-start=\"3317\" data-end=\"3337\"\u003e\"Avec la Liberté!\"\u003c\/em\u003e (\u003cem data-start=\"3339\" data-end=\"3354\"\u003eWith Liberty!\u003c\/em\u003e), cleverly reclaims the language of the Republic, arguing that true freedom should include religious expression, not just state-imposed secularism.\u003c\/p\u003e\n\u003cp data-start=\"3549\" data-end=\"3815\"\u003eThis poster is a remarkable artifact of anti-secular resistance in early 20th-century France. It captures the anger, frustration, and defiance of Catholic conservatives who saw the Republic’s secular policies as an attack on their faith and traditions.\u003c\/p\u003e\n\u003cp data-start=\"3817\" data-end=\"4027\"\u003eThough France’s secularist policies ultimately prevailed, the fierce debates of the early 1900s left a lasting impact on French identity, politics, and the relationship between religion and the state.\u003c\/p\u003e\n\u003cp\u003eReligion - Politics - Press - France\u003c\/p\u003e\n\u003cp\u003eThis nameless regime which governs us in the name of Jews, Protestants and Freemasons is as funny as it is odious...\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Little Patriot in Auxerre\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Millo E.","offers":[{"title":"77 x 58 \/ A  \/ On Linen","offer_id":51053818609991,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04810Insta2.jpg?v=1742293828"},{"product_id":"ap_04811","title":"Les punaises maçoniques Circa 1908","description":"\u003cp data-start=\"187\" data-end=\"578\"\u003eThis rare circa 1908 French satirical poster titled \u003cem data-start=\"243\" data-end=\"271\"\u003e\"Les Punaises Maçonniques\"\u003c\/em\u003e (translated as \u003cem data-start=\"287\" data-end=\"310\"\u003e\"The Masonic Bedbugs\"\u003c\/em\u003e) is a striking example of anti-Masonic propaganda from the early 20th century. Designed by T.D., the poster uses caricature and bold typography to portray Freemasonry as a parasitic force, visually depicting Freemasons as grotesque bedbugs with human heads.\u003c\/p\u003e\n\u003cp data-start=\"580\" data-end=\"1005\"\u003ePrinted on blue paper with large, bold black lettering, the composition blends political satire and conspiracy rhetoric, common themes in France’s heated debates over Freemasonry and Republicanism. The illustration at the top ridicules high-ranking military and political figures, depicting them as insect-like creatures marching in unison—a clear metaphor for corruption, secrecy, and manipulation.\u003c\/p\u003e\n\u003cp data-start=\"1007\" data-end=\"1571\"\u003eThe text below serves as an accusation against Freemasons, claiming they have infiltrated French institutions and betrayed the nation. The \"Des Preuves\" (Evidence) section lists historical examples, blaming Freemasonry for influencing the reigns of Napoleon I, Louis XVIII, Charles X, Louis-Philippe, and Napoleon III, suggesting that each ruler was either controlled by or fell victim to the Masonic network. The call to action at the bottom warns against \"traitors, deceivers, and manipulators\", urging the public to resist their influence.\u003c\/p\u003e\n\u003cp data-start=\"1573\" data-end=\"1880\"\u003eThis poster reflects the deep mistrust of Freemasonry that existed in certain nationalist and conservative circles in France at the time. It is part of a broader tradition of anti-Masonic and anti-Republican publications, which accused secret societies of undermining traditional power structures.\u003c\/p\u003e\n\u003cp data-start=\"1882\" data-end=\"2266\"\u003eToday, \u003cem data-start=\"1889\" data-end=\"1917\"\u003e\"Les Punaises Maçonniques\"\u003c\/em\u003e is a historical artifact of political propaganda, providing insight into the anti-Masonic sentiment and conspiracy theories that shaped early 20th-century French political discourse. Its bold imagery, exaggerated claims, and inflammatory rhetoric make it a powerful example of the era’s political caricature and visual persuasion.\u003c\/p\u003e\n\u003cp\u003ePolitics - Religion - Propaganda - France\u003c\/p\u003e\n\u003cp\u003eLet's beware of these pans and these liars!\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Little patriot in Auxerre\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"T. D.","offers":[{"title":"78 x 57 \/ A  \/ On Linen","offer_id":51053816512839,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04811Insta2.jpg?v=1739483465"},{"product_id":"ap_04812","title":"L'écumoire et la casserole Circa 1908","description":"\u003cp data-start=\"72\" data-end=\"475\"\u003eThis circa 1908 political poster, illustrated by E. Millo, titled \"L’Écumoire et la Casserole\", is a powerful example of French political satire in the early 20th century. Published by \u003cem data-start=\"273\" data-end=\"292\"\u003eLe Petit Patriote\u003c\/em\u003e, the poster uses bold typography, caricature, and critical financial data to engage and persuade the electorate about the alleged fiscal mismanagement of the French government.\u003c\/p\u003e\n\u003cp data-start=\"477\" data-end=\"1233\"\u003eThe illustration is a striking political allegory. A woman representing the Republic, wearing a Phrygian cap (symbol of the French Revolution and liberty), is shown using a skimmer (\"écumoire\") to scoop up government funds. However, like a skimmer used in cooking, the money falls through the holes, symbolizing inefficiency, corruption, and waste. Below, a panicked man, possibly symbolizing a government official or taxpayer, desperately tries to salvage the lost funds, standing next to a crate labeled \"Déficit\" (Deficit). The composition is designed to make a bold, immediate impact, with dramatic contrasts, expressive gestures, and exaggerated expressions—a hallmark of political caricature at the time.\u003c\/p\u003e\n\u003cp data-start=\"1235\" data-end=\"1811\"\u003eThe text accompanying the illustration presents damning financial figures, exposing alleged fiscal irresponsibility. Details of public debt, increasing deficits, and uncontrolled government spending are prominently displayed. The phrase \"Course à la faillite\" (\"Race to Bankruptcy\") suggests an imminent financial collapse, urging taxpayers and voters to take action. The appeal to \"Électeurs, lisez!\" (\"Voters, read!\") reflects the democratic urgency of the message, reinforcing the idea that citizens should stay informed and demand accountability.\u003c\/p\u003e\n\u003cp data-start=\"1813\" data-end=\"2514\"\u003eAt the time, France was navigating the challenges of the Third Republic (1870–1940), a period marked by economic fluctuations and concerns over public debt. Political instability, with frequent government changes and debates over financial policies, created a tense atmosphere. The rise of mass political engagement meant that newspapers and posters played a crucial role in shaping public opinion. This poster, likely produced in the run-up to an election, serves as propaganda, urging voters to support a more fiscally responsible administration. The clear, provocative language and compelling visual metaphors made it an effective tool for mobilizing public sentiment.\u003c\/p\u003e\n\u003cp data-start=\"2516\" data-end=\"3141\"\u003eAs an original early 20th-century political poster, \"L’Écumoire et la Casserole\" is a valuable piece of historical ephemera. It not only reflects the concerns of its time but also highlights the enduring power of political cartoons and satirical illustration as a means of holding governments accountable. For collectors of vintage political propaganda, historical posters, and satirical artwork, this piece represents an era where graphic design and political discourse were intricately intertwined—a reminder that history often repeats itself in the realm of public finance and governance.\u003c\/p\u003e\n\u003cp\u003ePolitics - Economy - Propaganda - France\u003c\/p\u003e\n\u003cp\u003eRace to bankruptcy - The little Patriot\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Little Patriot in Auxerre\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Millo E.","offers":[{"title":"78 x 58 \/ A  \/ On Linen","offer_id":51053816676679,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04812Insta2.jpg?v=1742211535"},{"product_id":"ap_04858","title":"S'entrainer pour la Révolution 1986","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eChina - Communism - Politics - Youth - Propaganda\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted in China\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"53 x 77 \/ A","offer_id":54951247446343,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04858_8eb0029d-fef5-46aa-93f9-240edb6202be.jpg?v=1789008531"},{"product_id":"ap_05238","title":"Passion Brésilienne - Geraldo Vandre Circa 1970","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eReligion - Music - Brazil\u003c\/p\u003e\n\u003cp\u003eAt the Church of Saint Germain des Prés\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Fine Arts\u003c\/p\u003e\n\u003cp\u003eGood condition, creases\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"100 x 65 \/ A-","offer_id":54951253410119,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_05238_3f8ae373-b7a8-4e5e-b4b5-b28582a18c20.jpg?v=1789235734"},{"product_id":"ap_05241","title":"C'est la loi des patrons ! 1968","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eMay 1968 - Politics - Education - France\u003c\/p\u003e\n\u003cp\u003eHaby-Soissons Reform - School is also a sorting center\u003c\/p\u003e\n\u003cp\u003eGood condition, creases\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"85 x 58 \/ A-","offer_id":54951258259783,"sku":null,"price":300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_05241_beb27219-2858-4529-a5c3-fd1882cb6dbd.jpg?v=1789232606"},{"product_id":"ap_05243","title":"L'express Pierre Salinger a Cuba Circa 1980","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003ePolitics - Press - United States - Cuba\u003c\/p\u003e\n\u003cp\u003eGood condition, creases, one tear\u003c\/p\u003e","brand":"Tim","offers":[{"title":"112 x 78 \/ A-","offer_id":54951262093639,"sku":null,"price":360.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_05243_cdc14e80-9305-4c82-a290-428098d96dff.jpg?v=1789229016"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/collections\/Politics.jpg?v=1654096557","url":"https:\/\/galerie1881.com\/en\/collections\/politics-original-vintage-posters-affiches-anciennes-originales.oembed?page=31","provider":"Galerie 1881","version":"1.0","type":"link"}