{"product_id":"ap_24981","title":"Comment ne pas être en colère ! 1952","description":"\u003cp data-start=\"226\" data-end=\"466\"\u003eThis powerful 1952 Soviet poster, often translated as \u003cem data-start=\"280\" data-end=\"315\"\u003e“Comment ne pas être en colère !”\u003c\/em\u003e (“How could one not be angry!”), belongs to the visual culture of the early Cold War and reflects the USSR’s ideological stance during the Korean War.\u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"900\"\u003eAt the center stands a monumental female figure, depicted with striking determination. She grips a rifle firmly, her posture resolute, her gaze turned toward the horizon. The red scarf around her neck—a recurring symbol in Soviet imagery—anchors her identity within the revolutionary and collective spirit. Behind her, a line of soldiers advances across a rugged landscape, reinforcing the sense of mobilization and shared struggle.\u003c\/p\u003e\n\u003cp data-start=\"902\" data-end=\"1205\"\u003eThe composition is deliberately hierarchical: the woman dominates the foreground, almost sculptural in scale, while the troops behind her appear smaller, emphasizing her symbolic role rather than her individuality. She is not merely a person, but an embodiment of resistance, outrage, and moral clarity.\u003c\/p\u003e\n\u003cp data-start=\"1207\" data-end=\"1606\"\u003eThe title, rendered in expressive red script across the lower portion, intensifies the emotional charge of the image. Rather than a direct command, the phrase functions as a rhetorical exclamation—inviting the viewer to share in a collective indignation. This emotional appeal was central to Soviet wartime and postwar propaganda, aiming to unify public sentiment against perceived external threats.\u003c\/p\u003e\n\u003cp data-start=\"1608\" data-end=\"1955\"\u003eHistorically, the poster must be understood in the context of the Korean War (1950–1953), during which Soviet visual culture often framed the conflict as a struggle against imperialism. While the USSR was not officially a direct combatant, its propaganda strongly supported North Korea and its allies, portraying the conflict as a just resistance.\u003c\/p\u003e\n\u003cp data-start=\"1957\" data-end=\"2279\"\u003eArtistically, the work reflects the principles of Socialist Realism: clarity of message, heroic representation, and emotional immediacy. Yet there is also a notable sensitivity in the painterly treatment—the soft gradients of the sky, the textured terrain, and the expressive faces—which adds depth beyond mere propaganda.\u003c\/p\u003e\n\u003cp data-start=\"2281\" data-end=\"2554\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eToday, this poster is compelling not only as a historical document but also as a work of visual storytelling. Its blend of personal emotion and collective narrative, combined with its strong graphic presence, makes it a striking example of mid-century Soviet political art.\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eWar - Propaganda - USSR\u003c\/p\u003e\n\u003cp\u003eGood condition, creases, small tears\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"82 x 59 \/ A-","offer_id":53766538264903,"sku":null,"price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_24981Insta2.jpg?v=1779116398","url":"https:\/\/galerie1881.com\/en\/products\/ap_24981","provider":"Galerie 1881","version":"1.0","type":"link"}