Les punaises maçoniques Circa 1908
Les punaises maçoniques Circa 1908
Les punaises maçoniques Circa 1908
Les punaises maçoniques Circa 1908
Les punaises maçoniques Circa 1908

Les punaises maçoniques Circa 1908

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This rare circa 1908 French satirical poster titled "Les Punaises Maçonniques" (translated as "The Masonic Bedbugs") is a striking example of anti-Masonic propaganda from the early 20th century. Designed by T.D., the poster uses caricature and bold typography to portray Freemasonry as a parasitic force, visually depicting Freemasons as grotesque bedbugs with human heads.

Printed on blue paper with large, bold black lettering, the composition blends political satire and conspiracy rhetoric, common themes in France’s heated debates over Freemasonry and Republicanism. The illustration at the top ridicules high-ranking military and political figures, depicting them as insect-like creatures marching in unison—a clear metaphor for corruption, secrecy, and manipulation.

The text below serves as an accusation against Freemasons, claiming they have infiltrated French institutions and betrayed the nation. The "Des Preuves" (Evidence) section lists historical examples, blaming Freemasonry for influencing the reigns of Napoleon I, Louis XVIII, Charles X, Louis-Philippe, and Napoleon III, suggesting that each ruler was either controlled by or fell victim to the Masonic network. The call to action at the bottom warns against "traitors, deceivers, and manipulators", urging the public to resist their influence.

This poster reflects the deep mistrust of Freemasonry that existed in certain nationalist and conservative circles in France at the time. It is part of a broader tradition of anti-Masonic and anti-Republican publications, which accused secret societies of undermining traditional power structures.

Today, "Les Punaises Maçonniques" is a historical artifact of political propaganda, providing insight into the anti-Masonic sentiment and conspiracy theories that shaped early 20th-century French political discourse. Its bold imagery, exaggerated claims, and inflammatory rhetoric make it a powerful example of the era’s political caricature and visual persuasion.

Politics - Religion - Propaganda - France

Let's beware of these pans and these liars!

Printed by Little patriot in Auxerre

Good condition

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