In the late 19th century, political scandals reverberated through French society, and the press played a crucial role in shaping public opinion. Pablo's 1893 poster titled "La libre parole - Les victimes du Panama" is a poignant reflection of this era, specifically addressing the infamous Panama scandal.
The Panama scandal, which unfolded in the 1890s, involved corruption, financial mismanagement, and political intrigue surrounding the construction of the Panama Canal. The repercussions were far-reaching, implicating politicians and business figures in a web of deceit.
Pablo's poster, associated with the publication "La Libre Parole," serves as both a visual and textual commentary on the victims of the Panama scandal. "La Libre Parole," founded by the controversial journalist Édouard Drumont, was known for its nationalist and anti-Semitic stance.
The imagery on the poster likely depicts the faces of those individuals considered victims or scapegoats in the scandal. The use of portraits emphasizes the human cost of the political and financial machinations that unfolded during this turbulent period. The choice of black and white, common in posters of the time, adds a stark and serious tone to the composition.
The title "La libre parole" (Free Speech) suggests a commitment to exposing truth and holding those responsible accountable. The poster, as a medium for political expression, aligns with the broader context of the Dreyfus Affair and the intense political polarization in France during this period.
Politics - Caricature - Central America - Panama
Grande Imprimerie à Gardanne
Very good condition
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