Louis Philippe 1er et les princes ses fils XIXème

This impressive nineteenth-century engraving, after a composition by Horace Vernet, presents a grand ceremonial equestrian scene conceived in the tradition of official state imagery. Executed with remarkable precision and tonal subtlety, the print exemplifies the high level of technical refinement achieved by academic engravers of the period, when such works served both as art objects and as vehicles for public prestige.

The composition shows a group of uniformed horsemen riding forward in a tightly organized formation, emerging through a monumental gate framed by ornate ironwork and classical architecture. The symmetry of the scene, the controlled movement of the horses, and the carefully balanced spacing of the figures convey authority, discipline, and continuity. Every detail—braided uniforms, medals, sword hilts, and horse trappings—is rendered with meticulous care, underscoring the ceremonial nature of the subject.

Vernet was renowned for his mastery of historical and military themes, and this image reflects his ability to combine theatrical grandeur with convincing realism. The horses are animated yet controlled, their musculature and motion modeled through subtle gradations of light and shadow. The figures, while idealized, retain individualized expressions and postures, giving the scene both monumentality and human presence.

The architectural backdrop plays a crucial symbolic role. The monumental gateway and the crowds suggested in the distance frame the riders within a setting of state and spectacle, transforming the image into more than a simple equestrian portrait. It becomes a statement of power, stability, and dynastic continuity, perfectly aligned with the visual language of nineteenth-century official art.

Produced at a time when engravings were a primary means of disseminating important images to a broad public, this print would have been intended for wide circulation, allowing collectors and institutions to own a version of a major contemporary composition. Today, it stands as a compelling example of nineteenth-century historical engraving: technically accomplished, visually commanding, and deeply rooted in the political and artistic culture of its era.

Engraving

Military - France

Lithograph by Marin Lavigne - Paris New York Goupil et Cie - London E. Gambart & Co publishers

Printed by Lemercier in Paris

Good condition, creases, soiling, one tear