Created in 1965, this original exhibition poster by Jim Dine was designed for Art in Science, a landmark exhibition held at the Alan Institute of History and Art in New York from September 24 to October 31, 1965. Produced during a period when artists increasingly embraced scientific concepts, technology, and interdisciplinary experimentation, the poster reflects the intellectual curiosity that defined much of the American avant-garde in the mid-1960s.
Rather than relying on a conventional promotional image, Dine created a striking conceptual composition that merges scientific diagrams with the language of contemporary art. Two dark, symmetrical forms resembling inkblots or organic specimens dominate the upper half of the design, surrounded by hand-drawn astronomical constellations and scientific annotations. Below them, a vibrant spectrum of six color panels introduces a bold chromatic rhythm, while geometric lines and expressive typography reinforce the poster's experimental character.
The juxtaposition of scientific imagery with painterly abstraction perfectly reflects the exhibition's theme: exploring the relationship between artistic creativity and scientific discovery. Instead of illustrating science literally, Dine suggests that observation, experimentation, and visual perception are shared foundations of both disciplines. The result is a poster that functions as an artwork in its own right rather than simply an advertisement for an exhibition.
By 1965, Jim Dine had established himself as one of the leading figures of American contemporary art. Associated with the Pop Art generation while maintaining a highly personal visual vocabulary, Dine often combined everyday objects, handwritten elements, diagrams, and expressive mark-making into works that blurred the boundaries between painting, drawing, and conceptual art. This poster exemplifies his distinctive approach, balancing intellectual rigor with playful visual invention.
Printed in limited quantities for the exhibition, Art in Science has become a highly desirable collectible among enthusiasts of post-war American graphic design, conceptual art, and museum exhibition posters. It captures a fascinating moment when artists, scientists, and cultural institutions sought new dialogues between creativity and technology, making it both an important historical document and an exceptional example of Jim Dine's graphic work.
Today, this original 1965 poster is appreciated not only for its rarity but also for its enduring visual impact, standing as an elegant testament to one of the most intellectually ambitious intersections of art and science during the 1960s.
Original Poster
Exhibition - Abstract - Chemistry - United States
Albany Institute of History and Art
Good condition
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