Neon rose double overprint 1967

This extraordinary original 1967 poster by Victor Moscoso represents one of the most innovative and visually striking experiments of the San Francisco psychedelic poster movement. Produced for Moscoso's legendary Neon Rose series, this rare double overprint combines two separate concert designs into a single image, creating a dazzling optical experience that perfectly embodies the spirit of the Summer of Love.

The composition superimposes two iconic Neon Rose posters: NR-14 "The Other Half" and NR-17 "The Congress of Wonders", each originally created to promote performances at San Francisco's famed Matrix and Avalon Ballroom venues. By printing one image directly over the other using contrasting fluorescent inks, Moscoso transformed the poster itself into an immersive visual event.

Viewed normally, the image appears as a chaotic collision of colors, typography and symbolism. However, when seen through colored acetate viewing filters—typically red and green—the individual compositions separate and become visible independently, revealing hidden imagery and text. This remarkable technique turned the poster into an interactive object, blurring the boundaries between graphic design, fine art and perceptual experimentation.

Victor Moscoso was uniquely qualified to push these visual boundaries. Unlike many of his contemporaries in the psychedelic poster movement, he had received formal artistic training at both Yale University and the San Francisco Art Institute. His understanding of color theory allowed him to create combinations of complementary hues that vibrated visually and challenged conventional readability, becoming one of the defining characteristics of psychedelic graphic design.

The imagery itself is rich with symbolism: winged figures emerging from clouds, mystical characters, esoteric iconography and ornate Art Nouveau-inspired typography all combine to evoke the era's fascination with spirituality, altered states of consciousness and expanded perception. These posters were not merely advertisements but visual manifestations of the counterculture's desire to rethink experience itself.

The Neon Rose series occupies a particularly important place in poster history. Produced between 1967 and 1969, it represented some of the boldest graphic experimentation of the psychedelic era and helped establish Moscoso as one of the movement's most celebrated artists alongside Rick Griffin, Stanley Mouse and Wes Wilson.

Today, original Neon Rose double overprints rank among the most sought-after and collectible psychedelic posters ever produced. Their rarity, technical innovation and historical significance make them highly desirable pieces for collectors of rock memorabilia, graphic design and twentieth-century counterculture art.

This original 1967 Neon Rose Double Overprint poster remains a landmark achievement of psychedelic design and one of Victor Moscoso's most inventive creations.

Original Poster

Music - Psychedelic - United States

The stockville light express Lucifer rising - Oracle - Rick Griffin

Berkeley Bonaparte - California

Good condition, folds, pinholes, tears, a little missing