Envahisseurs américains, dégagez ! 1965

This striking 1965 poster by V. Suryaninov is a powerful example of Soviet international propaganda during the Vietnam War, expressing solidarity with Vietnam and condemning U.S. military intervention. The slogan, written in Vietnamese—“Bọn xâm lược Mỹ cút đi!”—translates as “American invaders, get out!”, making the message direct, confrontational, and unmistakably political.

The composition is bold and dynamic: a monumental Vietnamese soldier dominates the frame, caught mid-strike as he brings down a hammer-like blow onto a formation of American warplanes. Beneath his foot, a structure bearing the U.S. flag is crushed, symbolizing both military defeat and the rejection of foreign domination. The exaggerated scale of the figure transforms him into a heroic embodiment of resistance, representing not just an individual but the collective strength of the Vietnamese people.

The limited color palette—primarily yellow, black, white, and red—enhances the poster’s graphic intensity. Yellow, often associated with the Vietnamese figure here, contrasts sharply with the darker mechanical forms of the aircraft, visually opposing human will against industrial war machinery. The simplified, almost stencil-like forms reflect a style designed for immediate impact and mass readability.

Created in the mid-1960s, at the height of escalating conflict, the poster fits within the broader ideological framework of the Soviet Union, which actively supported North Vietnam politically, materially, and culturally.

Suryaninov’s work emphasizes action and inevitability: the downward motion of the strike suggests not just resistance, but victory. The American planes, rendered small and repetitive, appear fragile and disposable compared to the singular, powerful figure above them. This visual hierarchy reinforces the message that technological superiority cannot overcome the will of a determined people.

Ultimately, this poster is more than wartime propaganda—it is a visual declaration of solidarity and defiance. It frames the Vietnam War as part of a global struggle against imperialism, presenting the Vietnamese fighter as a symbol of broader resistance. In doing so, it transforms a specific conflict into a universal ideological statement, asserting that foreign aggression will inevitably be crushed by collective strength and national liberation movements.

Original Poster

War - USSR - Propaganda - Vietnam - Russia

Good condition, creases, small tears