Programme du théâtre de l'Oeuvre 1896

The program for the Théâtre de l'Œuvre, illustrated by Henri de Toulouse-Lautrec in 1896, is an artistic creation rich in meaning and symbolism, embodying the convergence of the avant-garde theater world and the artist's creative genius.

Henri de Toulouse-Lautrec, born in 1864, was a precursor of poster art and lithography. He was renowned for his ability to capture the essence of the society of his time and reflect it through his art. The program poster for the Théâtre de l'Œuvre bears witness to this ability, incorporating visual and symbolic elements that go beyond the limits of poster art.

The encyclopedic revue presented at the theater, featuring Oscar Wilde's "Salome" and Romain Coulus' "Raphael", was a bold exploration of the art and culture of the time. The poster subtly captures the social and cultural tensions and questionings of the period. Toulouse-Lautrec's position between Oscar Wilde and Félix Fénéon, the two "imprisoned", symbolizes the convergence of their fates and the issues of the time. Wilde, broken by his incarceration, and Fénéon, an ostensible observer, are linked by Lautrec, creating a network of meanings that transcends mere visual representation.

The Théâtre de l'Œuvre program illustrated by Toulouse-Lautrec in 1896 is a poignant reminder of the role of art in society and its ability to reflect the social and cultural issues of the day. It transcends the boundaries of poster art to become a complex expression of history, art and society.

Théâtre - Littérature - Spectacle

Le magazine encyclopédique Oscar Wilde Salomé et Romain Coulus Raphaël - Wilde sera libéré de prison, brisé, le 18 mai 1897.

Sur le panneau, Feneon le regarde ostensiblement. Et la position de Lautrec entre ces deux emprisonnés - l'un pour homosexualité, l'autre pour terrorisme - est évidemment un signe.

Bon état