This enchanting 1898 lithograph by Jules Chéret, the father of the modern poster, advertises Le Miroir, a pantomime performed at the legendary Folies-Bergère in Paris. Created for the famed Les Maîtres de l’Affiche collection (Plate 157), this design captures the vibrant energy and theatrical flair of Belle Époque Paris.
The poster promotes a pantomime written by René Maizeroy, with music composed by Desormes. The title Le Miroir (“The Mirror”) is given a literal visual twist, as the central figure—a radiant young woman in folkloric dress—twirls joyfully, mirror in hand. Behind her, Pierrot-like figures echo her movement, suggesting a playful illusion or dreamlike reflection, likely referencing the show’s plot or metaphor.
Chéret’s skill in capturing motion, emotion, and whimsy through swirling lines and delicate pastels is on full display. The setting—lush vegetation and a shimmering sea—adds a romantic and slightly surreal atmosphere. His signature use of dynamic composition and luminous color elevates this piece beyond mere advertisement into a work of art.
As with many Chéret posters, this one was reproduced in smaller format for the Les Maîtres de l’Affiche series, a collection that showcased the finest poster designs of the late 19th century for a growing audience of collectors and art lovers.
The Folies-Bergère, established in 1869, was one of Paris’s most iconic music halls, known for its elaborate shows, daring performers, and artistic innovation. Posters like this one played a crucial role in crafting its image and drawing in crowds from across the city and the world.
Show - Cabaret - France
The masters of posters Pl.157
Printed by Chaix
Bon état, la saleté
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