The program for the Théâtre de l'Œuvre, illustrated by Henri de Toulouse-Lautrec in 1896, is an artistic creation rich in meaning and symbolism, embodying the convergence of the avant-garde theater world and the artist's creative genius.
Henri de Toulouse-Lautrec, born in 1864, was a precursor of poster art and lithography. He was renowned for his ability to capture the essence of the society of his time and reflect it through his art. The program poster for the Théâtre de l'Œuvre bears witness to this ability, incorporating visual and symbolic elements that go beyond the limits of poster art.
The encyclopedic revue presented at the theater, featuring Oscar Wilde's "Salome" and Romain Coulus' "Raphael", was a bold exploration of the art and culture of the time. The poster subtly captures the social and cultural tensions and questionings of the period. Toulouse-Lautrec's position between Oscar Wilde and Félix Fénéon, the two "imprisoned", symbolizes the convergence of their fates and the issues of the time. Wilde, broken by his incarceration, and Fénéon, an ostensible observer, are linked by Lautrec, creating a network of meanings that transcends mere visual representation.
The Théâtre de l'Œuvre program illustrated by Toulouse-Lautrec in 1896 is a poignant reminder of the role of art in society and its ability to reflect the social and cultural issues of the day. It transcends the boundaries of poster art to become a complex expression of history, art and society.
Theater - Literature - Show
The encyclopedic magazine Oscar Wilde Salome and Romain Coulus Raphael - Wilde will be released from prison, broken, May 18, 1897.
On the panel, Feneon look at him ostensibly. And the position of Lautrec between these two imprisoned - one for homosexuality, the other for terrorism is obviously a sign.
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